I’ve been delighting in a new stitch in the past few months, the seed stitch. It is a simple little stitch which is carefree and easy, but adds an amazing punch to textile work in many situations.
If you are a stitcher and haven’t used this versatile stitch lately, give it some thought. Directions and video tutorials are abundant online. Just search “seed stitch for embroidery”, or you’ll learn knitting.
In recent years, I used the seed stitch in this block of Floozies, a quilt I made using a Sue Spargo kit she called Bird Dance in 2013. In this case, the stitch was done as an embellishment. The seed stitch can be seen in the area under the bird’s feet.
In Susan Lenz’s class I took in May and wrote about it in detail here, I realized that this stitch could be used as a quilting stitch, to secure several layers. In this case, I used a heavy black thread making the stitch itself quite obvious. This photo is one from Mourning Flight, detailed here, where all the hand quilting is accomplished using this simple stitch.
But recently, I’ve used the seed stitch on another piece, this white baby dress on blue, still untitled. Here I’m using a fine thread (30-weight cotton) which matches the background. The stitch is rather small, so all that is visible is the dimple created when the stitch secures the top, batting and backing. The photo here is one I took while riding in the car. (The seed stitch is in the area of the white in the lop left quadrant of the photo.) On a road trip yesterday to see and photograph a rare bird, I got a lot of stitching done. I was not the driver.
The seed stitch is rather random in nature, neither the length nor direction of the stitch having to be consistent, making it a great travel project. Much of the seed stitch on Mourning Flight was also done in the car, this time on a birding trip to Florida.
And remember the pile of vintage linens I brought home here? Well, salvageable parts of one of those old tablecloths has become this piece. After quilting the inner pink border and the setting triangles densely, the striped center is a bit puffy. So, I’ll be adding some seed stitch in this area.
One caveat: the seed stitch does not produce an even result on the back of the piece, so an additional back will be needed. But if you plan an additional layer on the back, or you intend to frame the work, the seed stitch is an interesting one to consider for securing layers. I’ve planned for that on the white baby dress, using an extraordinarily thin fabric (harem cloth) as the backing now. And on the pink/green piece, the label will be placed over the seed-stitched area of the back of the finished product.