Galadrielle

gingko-and-skyIt’s a beautiful fall day, the sky is blue, gingko leaves are at their peak of golden, so we head to the cemetery.  Isn’t that what all families do on a glorious day?  They do if they live where we do and have a more than 200 acres of serene beauty to stroll.

Rose Hill Cemetery was established in 1840 on 65 acres of land along the banks of the Ocmulgee River.  In 1887, another 125 acres of adjacent land was devoted to Riverside Cemetery.  Both of these were designed by highly respected landscape architects and were intended to be used as a park as well as a solemn final resting place for citizens.  Continuing that tradition, both of these cemeteries are now part of the Ocmulgee Heritage Trail, a walking, biking, communing with nature space which we treasure.

So, with camera and crayons in hand, we headed out the door.  We had walked these trails and admired the art of the cemetery before I became acquainted with the art of Susan Lenz.  Finding her work answered the question, “how can this beauty be incorporated into a quilt?”  So now I am prepared with fabric and crayons, just in case.

galadrielle-detailMy latest art quilt is the result of last Saturday’s stroll.  Jim took the photo of Galadrielle, an angel at the foot of Duane Allman’s grave.  I printed it on vintage linen fabric, added some stitching though layers of wool batting, more vintage linen, raw silk, and an indigo-dyed remnant of an old quilt.  A few buttons and a bit of angelic lace came out of my treasure bins for this project.

 

galadrielle-backI used free motion machine stitching to define the shape of Galadrielle and add dimension and detail.  Hand stitching was used everywhere else.  Some unknown sewist had done some hand stitching on the remnant I used as the base.  Her hand quilting and cross stitch has a new life. The worn quilt has been cut up and used in several of my favorite pieces.  I’m loving the blue ones best! I wonder if this unknown colleague did her hand stitching while visiting with friends, or perhaps while listening to the television, as I do.

The quilt finishes at 14” x 23”.

Shopping Small

I have never been to a mall on the day after Thanksgiving. I’ve just never understood the need to battle for a sale item.  I detest crowds.  So the concept of Shop Small suits my kind of thinking. In our household, we try to support local business owners every day of the year.
church-with-chimneyOn this Black Friday we wanted to drive backroads with the camera and maybe find an antique shop or two.  One goal of photography was some country Christmas scenes.  The treasure of the day was a church decorated with Christmas wreaths on every window.  And, this church has a chimney.  I’ve never seen a church with a chimney.  An old cemetery surrounded by a white picket fence is well maintained by a local boy scout troop.

Following a spontaneous zigzag route from one small town to another, we drove though rolling hills we’d never seen.  Beautiful farmland, horses enjoying the glorious fall day, a friendly gentleman in an otherwise sleepy town, made it seem like a bit of time travel.

We made one stop in a feed & seed / quilt shop near Covington.  Though the business lost a bit of its charm when it moved out of the downtown location, their old time merchandise is still appealing.  As I paid for a fat quarter and spool of thread, the clerk recognized the bank name on my credit card and shared pleasant experiences she had there. Somehow I don’t think I would have had that sort of exchange in a mall shopping experience on Friday.

monroe-safeWe had lunch at our favorite locally owned restaurant in Monroe, GA, across the street from this pocket park.  The focus of this park is an old bank vault (left when the downburst of ’93 destroyed the building).  Two treasures here: the safe itself  and the fact that the town preserved it and made a park there.

 

 

 

shop-small-findsVisits to a few antique stores generated minimal purchases.  The highlight for me was  packages of old bias tape and rickrack, all cotton, all unopened, bearing original $.19 price tags.  I could imagine the vendor thinking, “nobody will want this old stuff.”  And, I’m thinking, “WOW.  What fun is this!”  The wicker item had a tag saying “lampshade,” but I thought “bee skep”.

sunset-in-monroeYes, we did some shopping on Black Friday.  But we didn’t elbow anyone out of the way, never stood in line, didn’t get frustrated, and had no traffic snarls to navigate.  Back roads and small businesses, that’s the way to do it.

All photography (except bias tape) by Jim Gilreath.

Country Boy in Overalls

Marie’s birthday was looming and I had heard her say she loved my Man in Overalls.  I knew there was a photo of her brother John wearing overalls, so my gift-giving plans were in motion.

jones-scan-189John loved riding his tractor and wearing his overalls.  A country boy at heart for all of his 64 years, he represents what men in overalls convey to me: honesty, integrity, and a strong work ethic.  Add a dog and the country boy takes on a loving and playful nature.

The photo I used for the art quilt was taken by his brother Kemp, and features John with his three-legged dog, Precious.

country-boy-backThe photo is printed on cotton fabric, free motion machine quilted with cotton thread and wool batting.  The brown layer is linen and all is hand stitched to a vintage quilt remnant as its base. The label is written on a scrap of vintage linen that was made blue when Marie and I played in the indigo dye vat one hot summer day.  The finished piece measures 12” x 16”.

jones-scan-054aOne earlier photo shows young John and Kemp on the farm.  Another shows Marie flanked by her loving brothers and includes their dog Skippy.

Meeting the Challenge

My local quilting sisters and I just saw each other’s secret projects at our annual guild challenge.  The photo above is a closeup of Alice’s entry.  She won a ribbon with this beauty in which she combined our rules with a project in a Craftsy class online.  The online class was free motion machine quilting with Judi Madsen.

Earlier I wrote about my resulting entry here.  I didn’t write about all the ideas I had but abandoned along the way.  As guild members shared their entries, many reported starting and abandoning, or adapting, or rethinking their process.  All reported learning something, and having fun in the process.

Here are photos and snippets of stories of all 16 quilt entries at our meeting this year.

c16-ethel-alice-kelly-janetEthel teasingly dubbed herself the complainer, said she called Queen Tess 65 times.  She doesn’t like square quilts, doesn’t like the fan block, and doesn’t like yellow.  But Ethel is not a quitter, she’s a quilter, and her resulting piece is one of my favorites (the blue in the center is to dye for).

Janet exercised her EQ design features by resizing a fan block to make a manageable project. Kelly’s Sunbonnet Sue quilt contained numerous fans. A sun, a cooling fan, and some blades of grass were also blades of a fan.

c16-angie-susi-mary-lindaLinda combined this guild’s challenge with a project she was entering in a Windows and Doors exhibit at the Ashe Arts Center in West Jefferson, NC.  Working from a photo she had taken in Nimes, France, Linda pieced the doorway panel.  She added asymmetrical borders to bring the project to the 36” requirement for our guild, including pieced fans as butterfly wings and some yellow flowers blooming on the vine.

Angie expressed some frustration, but stuck with her traditional block to make a 36” square for now.  She shared plans for further embellishment to add some zing to her entry.  (Tess often reminds us that the rules do not say the challenge has to be finished to enter.)

Mary had other priorities, so stuck with a simple design, but got it finished in time for the challenge, and now has a functional table topper with pleasing fabrics.

c16-susan-sharon-deann-wandaSharon made, not one, but two quilts.  One was made with fabric she bought in Japan while visiting her son and his family.  The other, Ocho, RibBonz, and Shadow–3 FANtastic Cats, was inspired by several quilts on Pinterest.  She has two cats name Ocho and  RibBonz..  Since she needed three fans, she had to make three cats, and Shadow is the name she gave to her imaginary cat.  She was asked to explain about one cat’s tail.  He’s scared, she said.

Susan looked for an easy pattern, crediting me with inspiring her to look for fun techniques.  I’m known to remind quilters that, “it’s supposed to be FUN.”  I love her ferris wheel blocks and would like to try this myself.

Deann hand pieces and hand quilts everything.  Her work is always amazing, but she shared that her biggest challenge was the curved part. Wanda’s entry was her first foray into our challenge world.

c16-marie-carol-sharon-sandyMarie machine pieced and hand quilted a beauty including linen and cotton fabrics.  Her title was Did you mean these fans?  An M&M’s button on the label depicted her reference to the popular tv commercial.  Dewey confessed that this commercial was his inspiration, too.  His quilt exists only in his mind as he’s been busy building a new quilting studio.

Carol explored paper foundation piecing and got enough practice on her piece that she is now an expert.

challenge-16-winnerSusi’s first place winner, Fantastic Frolicking Felines, brought smiles to all of us.  Look how much fun these dancing cats are having.  I think Dewey had fun, too, quilting this beauty.  He added the thread-painted musical notes as he quilted the entry for Susi on his longarm machine. Susi adapted a pattern from Amy Bradley for this crowd pleaser.

Before leaving for the day, Sharon shared more stories about her cats and their names.  Her quilt was visually appealing, but as with most quilts, the story gives it more life.  Here are details you will remember:

“We adopted the two identical black kittens from our grandchildren’s other grandmother’s cat’s litter.  The grandchildren were squealing excitedly when we brought them to the house and one kitten escaped by running up a tall tree. The more we called or tried climbing higher to get the kitten, the higher it went. After some time, it fell asleep about 40-60 feet  up, then tumbled down through the branches to the ground.  To identify them, we put a couple of ribbons on the untraumatized cat so we could closely watch the one who had obviously used up “one of the cat’s nine lives.”  Not knowing if they were males or females, we named the uninjured kitty ‘Ribbons’ and the one with 8 lives remaining became ‘Ocho’. When we found out that they were both boy cats, we changed the spelling of Ribbons to a more masculine name ‘RibBonz’! We don’t have a third cat, but I thought a third cat needed to be on my quilt since three fans were required for the challenge. The surprised arched-back third cat became Shadow because our outdoor cats love to stalk chipmunks, lizards, moles, etc. from the shadow of bushes and other hiding places.”

 

Walker’s Pasture

Version 2In 2010, my photographer husband Jim captured a magical moment at sunrise with cows in the mist.  I was captivated by the photo from the moment I saw it and immediately framed and hung an 8” x 10” print in our house.

Later, when I wanted to experiment with the online service Spoonflower, a business that prints photos on fabric, this image was one of the first I chose to upload.  The print on cotton fabric measures 14” x 19”.  This has been on my design wall for several months waiting for me to be inspired as to what I wanted to do with it.

Our guild’s challenge for 2016 in our guild was “fans”, not my favorite traditional block.  The completed quilt had to be 36” square, contain at least 3 fan blocks, and have yellow in it somewhere.

While researching fan blocks online, I saw a modern interpretation that looked a lot like a windmill to me.  Oh, a windmill.   I just happened to have a pasture waiting for a windmill.

walkers-pasture-toy-windmillI pieced four fan blocks (paper foundation piecing because they are tiny – 2” blocks) to create the windmill.  To create the base, I photographed a toy windmill I have as part of my decor (complete with cows on my hutch in the breakfast room) and printed it in various sizes to test the scale.  Using that photo as a pattern, I painted the windmill base using India ink, appliquéd the fan unit (the windmill) and was ready to quilt.

walkers-pasture-cow-closeupThen I remembered “yellow” requirement.  Yellow, like the sun.  Got it.  The photo was taken at sunrise.  So, a rising sun was appliquéd, then the quilting came into play.  Green grass, blue wind, and continuous curves in the outer border all were quilted with 100 weight silk thread.  Now I’m a fan of fans.

Goats

Pa, he bought him a great big billy goat

Ma, she washed most every day

Hung her clothes out on the line

And that old goat, he’d come that way.

My Daddy didn’t sing a lot, but this song was one of his favorites.  I can hear his gravelly voice belting it out now, often at my request or a plea from any of his grandchildren.  I don’t recall my mother or my sister requesting it – it wasn’t refined enough for them.  Especially the part when the goat belched up that red flannel shirt and he flagged down that durned old freight.

The musical interlude might be followed by the story of Daddy’s experience with goat farming, or rather the decision to end that venture.  Something about a goat and a pond and repeated disciplinary action leaving the goat wet and calmer while Daddy was exhausted.

So fond memories might explain why I like to see goats in a pasture, have taken lots of photos of goats, and why they end up in quilts.

goat-challengeThe guild’s quilt challenge for 2013 required us to use small bits of fabric from Tess’s stash.  The Challenge Queen does this occasionally; requiring the use of what some might think of as uglies.  That certainly was the case for my envelope.  Yuck.  A red and black color combination was given to me, a calico and something else, 2” squares of each.  I tried several things that didn’t make my heart sing, but at some point  I remembered a pattern from Country Threads featuring pieced goats.

I found an assortment of farm and goat looking fabric, pieced three blocks, added a title, and used the ugly fabric as a couple of their kerchiefs.  The piece finishes at 24″ x 18″ and was freemotion quilted using cotton batting and cotton threads.

goat-showA well-dressed goat appears in 52 Tuesdays, too.  One of our visits to the Georgia National Fair in 2015 included attending a goat show.  I was intrigued by the goats awaiting their competition.  After being bathed, blown dry, and powdered, they were often wearing jackets so they stayed clean and sawdust free until their competition.  One wearing a leopard skin coat caught my eye and became the image for that week in the journal quilt.

And, once a goat appeared on the label of one of my quilts, Hartwell Commons.

The photo of the live goat, not in cloth (yet) was taken at the Jimmy Carter Boyhood Home national historic site near Plains, Ga.

A Tree Grows in Gondor

I’m still working on my guild’s quilt challenge for 2016.  It’s almost done, and there is nearly a week to spare!  I mentioned it here.

Working on this project has me thinking about how much I’ve learned from the guild’s challenge over the years.  It seems like a good time to document some of those design processes. I’ve shared some challenge quilts earlier, but here’s another.

In 2008, the challenge was “trees”.  The quilt had to contain at least one tree, pieced or appliquéd, and a bit of orange somewhere.  A few years prior, I had been enchanted by the white tree against a blue sky prominent in the Lord of the Rings movie Return of the King.  I’m sure the tree in the movie was a Sycamore, and that must have added to my determination to create this image in cloth.

I chose a brilliant blue hand-dyed fabric from Cherrywood as the background, inserting a narrow inner border of another hand-dyed fabric which included many colors, including orange.  Wanting to include a little interest on the “bark” of the white tree,  I researched quotes about trees and facts about trees.

tree-in-gondor-design-wallThis photo shows the background pinned to the design wall with my paper pattern drawn.  That pattern was transferred to white Kona fabric, then the handwriting began.  Sandpaper underneath the fabric helps to keep the fabric from slipping.  I used Sharpies and Pigma Micron pens.

tree-in-gondor-stitchingOnce the words were pressed to make them permanent, I used needleturn appliqué to fix the tree to the background.  In the areas of white where the blue background fabric showed through, I added a lining layer of white fabric.

tree-in-gondor-closeupCotton batting was used and all quilting was hand-guided, freemotion stitching.  Only the griffins on either side of the trunk were marked, all other quilting was spontaneous.  Most used a matching blue cotton thread (50 weight, 2 ply), but some variegated thread was added in a few places for interest.

The quilt finishes at 40” x 62”.

Information on the label is sunprinted.tree-in-gondor-label

 

Commonly Uncommon

The Common Yellowthroat Warbler is not commonly seen by the average homeowner.  He’s not a “yard bird”, he lives in the swamp.  He likes briars, damp brushy places, weeds, or grass going along country roads (that explains why I like him so much).  This species is a year-round resident in our part of Georgia.

Despite his bright feathers, this fellow is hard to spot, flitting about busily as he does.  This tiny bird is picturesque, though.  So it’s worth the effort to capture his image on film, uh, on a flash card.

These birds don’t come to feeders much, preferring grasshoppers, beetles, spiders over seeds.  According to the iBird Pro app, they love sugar water, fruit, and pieces of nuts.  That may be worth investigating, but water seems to be a big factor in their habitat.  They are most often found near streams, swamps, and marshes.

common-yellowthroatJim captured this shot in a remote area near the Ocmulgee River.  I printed it on silk fabric, layered it on wool batting, and stitched the background densely. As in Swamp Bird, I stitched with silk thread in closely spaced parallel lines.  Then I added a bit of black and white, a yellow fabric frame, and attached it to an old quilt remnant.

common-yellowthroat-backI used a lot of Jude Hill’s invisible baste stitch to secure everything without penetrating the final layer of the quilt on the back.  I added beads stitched by hand, and made a label from an old doily. 100 weight silk thread was used for machine quilting, 60 weight cotton for the handwork.

The finished piece measures 20” x 16”.

I’ve noticed lately that even though I’ve been designing these pieces by starting from the center and working outward, and beginning with different sized photos or vintage motif, these pieces all seem to end up the same size.  I wonder why.

Treasure Hunting

A beautiful fall day, an escape from routine, time spent with my best friend, vintage linens; how can I decide which one of these is the most treasured?

treasures-bee-linenYesterday Jim and I went junking.  Well, not really.  Dumpster divers we aren’t.  We aren’t even heavily into yard sales or estate sales.  We like antique malls where someone else has made the selections, maybe done some cleaning up, and displayed items in a pleasing manner.  Well, the last is not always true.  But, we do like antique malls.

We’ve had booths before.  The set up and decorating is fun, but we didn’t make a lot of money because we don’t enjoy the junky level of searching. But as is true in all aspects of life, it’s not about the money.  We do find Saturdays out and about discovering treasures, recalling memories, and driving back roads to get there to be joyous.

Yesterday’s finds were numerous.  Now that I have found a way to include vintage linens that I love in my quiltmaking, I sometimes have a list of things I need.  Often it’s linen to use in the printer for photos, or fabric doilies and coasters to use as labels.  Yesterday I really needed nothing.  I have quite a collection on hand and friends have even started sharing their treasures hoping I can find a use for them.

treasures-old-quiltBut  I did find a few things I couldn’t leave behind.  An old quilt with a masculine look will be perfect as the backing for men in photographs.  The homespun backside is amazing, too.  A blue cross-stitched linen tablecloth.  A couple of bargain pieces which will be amazing labels, and a lovely bee!

treasures-coatsI didn’t really plan to spend a day this week cutting apart old wool coats and felting them.  But at $5.00 each, these 100% wool coats begged to be included in a quilt project.  Ok, will do.  Any ideas about what to do with the fur collar?

treasures-boothAnd I found inspiration!  Not so much in the textiles themselves, but in displays.  Old suitcases opened with vintage trims and fabrics inside, laces and ribbons wrapped around old wooden spindles, jars of buttons pleasingly arranged.  These kinds of things make my heart sing.

Julie Cameron would be proud of the date my inner artist had yesterday.  Not a solitary trip, but a real date with my soulmate and my soul!  The drive though pasture land (the solitary chimney on 52 Tuesdays was on the route), lunch at one of our favorite local establishments, and an ice-cream cone treat reminiscent of childhood drives made it heavenly!

Challenging Quilting

seasquared-mouthOur guild’s challenge quilt is due in three weeks.  It’s secret until then, so I can’t show photos of it now, but I can say I’m excited about what I’m doing.  Tess, our Challenge Queen, gives us the annual specifications in February with the deadline being our November meeting.  I typically think about it, research photos and patterns, basically collecting thoughts until October or so when I have no choice but to make something.

There are years when I’ve started early, but I often aborted the first plan. There have been exceptions; occasions when I started earlier than usual, stayed focused on a project that took a lot of time, and brought it to completion ahead of schedule.  But several have been done the week before the due date.

On the single occasion when I completed the project early, I really disliked the quilt and abandoned the idea of using it as my entry. The challenge in 2013 was “ Dare to be Square” or something like that.  Tess always comes up with catchy titles.  The rule was that the quilt must be pieced (no appliqué!) and every piece must be a square. In October, I sprang into panic mode, grabbed a half-yard cut of a bold fish print by Brandon Mably, some hand-dyed fabrics of similar colors, and started cutting squares.

seasquared-whole-quiltI cut the largest square I could from the focus print (20” finished. (I know – it must have been a generous half-yard cut)), then cut smaller squares from the fish fabric and the others.  20” finished was a nice measure to use as the reference.  It was easy to patch together units using 1”, 2”, 4”, 5”, 10” components.

seasquared-fishesAs the project grew on the design wall, I had fun finishing a fish.  Where one had been cut off, I could find missing components of that fellow somewhere else in the smaller squares and place it close by to make his image extend into the other spaces.  I even discovered a batik striped fabric that mimicked the background of Mably’s fish and inserted that.

seasquared-starfishAs the “squarequarium” grew on my design wall, I began imagining quilting lines.  I could stitch even more of the missing parts of fish bodies, add bubbles in the water, and enhance fish fins and tails.  Oh, my, how fun was that?

seasquared-octopusI sewed quickly to get the piecing done, layered it with cotton batting, and began dancing with my sewing machine.  I used some heavy threads on some of the solid spaces, enjoyed stitching lots of free-motion quilting motifs, and especially enjoyed adding the octopus and starfish.

Even after all that, things looked a little “flat”.  Eyes.  Fish have prominent eyes.  So out came the wool, a circle cutter, some buttons, and voila!

seasquared-backA solid blue fabric on the back made the stitching details noticeable. Susan said she liked the back of this quilt better than the front.  So for her next birthday, I stitched a fish on blue fabric for her beach house.

This quilt does not contain colors in my house or colors I particularly enjoy using in a quilt.  But I love this finished product because seeing it reminds me how much fun a challenge can be.

I called this finished project “Sea Squared.”  Some of my math colleagues will notice the reference to a  project we worked on for years. The finished size is 40” x 34”.

This year the challenge requires at least three fan blocks, and some yellow fabric.  The finished size is prescribed this time: 36” square.  My first reaction was “I’m not a fan of the fan block,” but in my research I’ve certainly learned a lot about those historic blocks and their reinterpretations through the years.  As a friend said yesterday, “I love our challenges.  They force us to think about things differently.”  Indeed.