Mary Ellen’s Quilt Tours

This quilt, Mrs. Chillingsworth, is so named by my friend Mary Ellen, in honor of the resident ghost in their home in Minnesota.  Mary Ellen is a gifted and prolific quilter whose friendship I cherish.  This piece was made using a pattern called Sidelights and a panel Mary Ellen found at Missouri Star Quilt Company.

Mary Ellen and her photographer husband Bruce, took Mrs. Chillingsworth on a seasonal outing recently and shared photos.  This photo journey is the 48th installment in what Mary Ellen intended to be 52 Quilts-A Journal/Journey of the Stars and Stripes and Other Quilts. I say intended because Mary Ellen says they’re having so much fun, they probably won’t stop at 52.  And, she has plenty more quilts on hand, and is still sewing.

The photo journey with quilts began sometime in 2016 and Mary Ellen has posted groups of photos on Facebook featuring quilts in picturesque settings including roadside vistas, historic sites, and remote areas of natural beauty.  On occasion, they’ve secured permission to pose a quilt on a priceless antique chair for its photo op.

Since the first few installments, I’ve begged for a published version; a history book, travelogue, and quilt reference, all in one!  There’s no commitment yet from the pair, but at Christmastime last year, their children showed them what fun it would be to have a bound copy of their adventures.  Their son and daughter collected the posts and photos and had the first 29 episodes published and bound for them.  Nice, huh?

Mary Ellen had a shop in Battle Lake MN, Sweetapple, where she sold gifts, pottery, primitives, and furniture made by Bruce.  In the same building was B’s Quilt Shop.  The two complemented each other, merged, and the obsession with quiltmaking began.

Mary Ellen does all her piecing on her 1957 Singer Featherweight and all the quilting on a longarm machine.  Some of the quilts in the photos were made as samples; for her shop or for others’.  In each post, she’s shared the name of the pattern used, so when the book comes out, you’ll get lots more details.

In addition to driving around looking for photographic spots, Bruce and Mary Ellen still make and distribute portable pressing tables. Theirs were feathered in Fons and Porters magazine in 2009, on Simply Quilts, and in various magazines.  Now (theoretically retired) they mostly distribute wholesale to shops in their area, but will fill orders from all over.  I have contact info if you need it.  My table is in the foreground of this photo when I was sewing in the breakfast room one cold day last winter.

I know the photos make you hungry for more details of their adventures.  You can see their spirit of adventure and Mary Ellen’s excellent workmanship in the photos here.  In spite of the intriguing locales, no injuries have been sustained in the photo shoots, though Bruce and Mary Ellen do admit to some exhaustion from the hikes.  I love the scenery in all seasons, but anxiously await seeing a quilt at Bruce’s ice fishing hut.

Here are a few more photos.  As always, you can click on a photo to enlarge it.
When their book comes out, I’ll be sure to share the news here!

Meeting Sue

“Those are quilts?”

“How did you do that?”

“You mean these aren’t paintings?”

“Wow.”

“I’m amazed.”

These are phrases I overheard while standing near the booth where Sue Turnquist was demonstrating her art at the Georgia National Fair in Perry.  I’ve been an admirer of Sue’s work for several years, but had never had the chance to meet her.  We share a love of stitch, a passion for storytelling though cloth, and have trod some of the same soil in south Georgia.  I was delighted to have a chance to finally talk with Sue and learn more about her quilts.

Sue began quilting in the 1990’s after being entranced at the state fair in Missouri.  She bought a sewing machine and taught herself to quilt, beginning with traditional patterns.  A class with Caryl Bryer Fallert changed her approach, and she’s become a star in the quilting world.

Sue’s background in veterinary medicine is reflected by the animals she depicts in her quilts.  The selections you see in the photos are all Sue’s unique creations.  She starts with a photo, has it commercially enlarged, then creates her pattern.  Fabrics are fused to a background and she uses free-motion machine quilting to stitch it all down. Her attention to detail and precision cannot be denied.  And the visual impact is amazing!

Her zebra quilt is entitled Do These Stripes Make My Butt Look Big?  This quilt has won many awards, including the New Quilts from Old Favorites challenge by the American Quilter’s Society.  This and other of Sue’s quilts have traveled and exhibited extensively, nationally and internationally.  Sue  travels to guilds to share her work and teach classes.  I’m sure those audiences are as enthralled as the visitors I overheard in her booth.  Her work is amazing!

Other quilts you see pictured include Skeeter Eater, Piney Woods Mule, and Pony Express.

 

 

 

Sue’s winners at the fair for this year’s competitons are shown below:

October Welcome

The calendar says it’s time for more orange in our lives.  Another fiber art piece has orange in it now, based on a drawing of a jack-o-lantern by our front door.

The jack-o-lantern is a cherished piece made by one of our favorite Georgia potters, Shelby West.  Shelby’s work is normally southern folk pottery with an ash glaze, but for Halloween, he creates some unglazed pieces with personality.  A watering can on an old stool created a fun vignette which says “Welcome to Our Home,” country style.  The photo was printed on cotton fabric, free-motion machine stitched; then embellished with paint, hand embroidery, and beads.

The image is bordered with hand-dyed Cherrywood fabric, layered on linen canvas, then on a remnant of an old quilt.  The orange in the old quilt (a basket pattern) made it the perfect backdrop.  The piece measures 15” x 17”.  A portion of a vintage napkin with delicate appliqué in the corner serves as the label on the back.  I tilted this one October Welcome.

The Glow of Orange

It’s October, cool, and time to think about glorious leaves falling.  I love to see the leaves drift down from the trees, and I love the colors as the chlorophyll breaks down.  The shades of red and yellow taking over from the green are spellbinding.  And orange is there, too.

Orange is not my favorite color in decorating or in quilts.  But this time of year, I incorporate it into our lives.  Our guild’s designated Challenge Queen, Tess, loves to require a bit of orange in her rules; so I’m learning to incorporate it without screaming.  And, if the theme is fall, I get to use pumpkins, which I love.  I love their shapes, texture, and color.  The pillow here is wool appliqué. The pumpkin and leaves wools were purchased hand dyes, the background is a recycled wool skirt, felted and reused.

Two recent projects include pumpkins.  This 5” x 7” framed piece is a pumpkin appliquéd onto a fabric replica of an old sampler in colors of autumn.

Another pumpkin is hand appliquéd on an old linen doily with free-motion machine quilting, hand embroidery, and beading.  It is attached to a remnant of an old quilt and measures 22” x 17”.

The middle layer is a found remnant of linen drapery fabric. I just love the grasshopper.  You can click on any photo to enlarge it, but this is one you might really want to examine.

Above is the entire piece.

This post describes some earlier quilts with fall themes and colors.

And to read more about Tess and challenge quilts, you can type “challenge” in the search box, or click on that category name.  There are several related posts.  Many include orange.

And, an earlier quilt called After the Chlorophyll is here.