Rescued Remnants

It’s been eleven weeks since I wrote about an adventure buying vintage linens.  Only today is this piece finished, featuring pieces of an old tablecloth found on that excursion.

This quilt has been in development since I brought that pile in the house.  Growing, developing, changing.  Pink is not my “go-to” color, maybe that’s why it took so long for me to hear what the fabric was saying.

I know, people have been referred for psychological help when they said their quilts talked to them.  But quilts do talk.  If only you are willing to listen.

Here is the conversation as this process ensued: Vintage Tablecloth (VT) and me (SG).

VT:  This basket motif wants to be the centerpiece of a medallion-like wall hanging.

SG:  Ok.  I’ll cut one out in an irregular shape and stitch it to a background. With wool batting underneath so you rise to be noticed.

VT:  What background?  The green pieces from the tablecloth without holes?

SG:  Ok.  Done.  Centered, stitched on the machine with dense machine quilting to make the embroidery pop.

VT:  Oh, I’m disappointed.  I’m not featured as I should be.  I need accentuating.

SG:  Ok.  I’ll cut you out from that background and put you on something darker.

VT:  How about pink?  See my perky little bow, let’s do pink!

SG:  Noooo, I don’t like pink too much.  Let’s try something else.  Let’s pick up all those other colors.  Here.  I like this stripe.

VT:  Ok.  But horizontally, no.  Vertically, no.  Both too plain.  I’m fancy.

SG:  Agreed.  How about mitering the stripe so there’s some geometric interest?

VT:  Yes, Mrs. G, I know you have to get that in there somewhere.

SG:  Done.  Now on the green.

VT:  uh-uh.  I want pink.

SG:  Pink?  I don’t like pink.  I don’t even buy pink fabric. Oh, wait, here is a gradated solid.  I bought a pack of these pastels (Lord, what WAS I thinking? That’s not me at all.)  But it does work with the colors in the ribbon. How about a pink border around the basket on the stripe?

VT:  Yes.  At last you heard me.  Pink.  Pink.  Pink.

SG:  Ok.  There is now a border around the basket.  It’s pink.  And, can I let it be raw-edged, since that is the way I applied the basket?

VT:  Yes.  Sure.

SG:  Done.  Now that is going on the green background from the original tablecloth.  Good grief, how many layers is this?  I guess I should cut triangles from the green and frame the center rather than continue to build thickness.  More cutting and fitting and sewing.  But that’s what it needs to be.

Now I need to layer the quilt.  Cotton batting this time, and look, I found a pink calico for the backing.

VT:  Ok, I’m done talking.  Have your way with me now as you quilt.  Oh, I guess you will bind me with that stripe, too; since that seems to be the only fabric you can use for a binding.  But will you not make it bias this time?  Let’s be a little bit subtle with it, ok?

SG:  Good idea.  Especially since I’ve used almost all of the stripe and it will have a jillion seams anyway.  But I’ll place the stripes perpendicular to the edge.

Quilting is done.  I repeated the bow motif from the original basket.  I drew a replica, resized, marked it on corners of quilt, and stitched with heavy pink thread.  I quilted the remainder using a matching fine thread (silk) so the emphasis is on the texture, not the stitch.

VT:  Your quilting worked out nicely.  But now the center stripe is a bit puffy.  Can you get it to settle down a bit?

SG:  Sure.  I’ll do the seed stitch with a matching thread.  But it makes a mess on the back.

VT:  Find something pink.  You use vintage linens for the labels anyway.  Just find one large enough to cover that center square.

SG:  I agree that it needs to be pink.  I don’t have any vintage pink stuff (nor pink dye).  I don’t DO pink.  But, you are right – any other color will be too high contrast.  It is the back, after all.

VT:  So, wait.  You don’t have to finish today.  Wait until you find the right thing.

SG:  Oh, WOW.  I saw this pink linen handkerchief at an antique mall. With lace.  It was $3.  More than I normally pay for a hankie to stitch on as a label.  But I thought of you and bought it.

VT:  Good girl.  I’m worth it.

rescued remnants backSG:  Done.  Label attached with seed stitch that just goes through to the batting.  Sleeve attached the same way.  You aren’t square, close though.  (16” x 17″).  And you speak “pink”

 

Strollin’

Strollin'My latest art quilt features a guinea.  I love these funny looking birds; the pattern on their feathers reminds me of little old women wearing black calico dresses, and I love their spirit of self-confidence.  I guess it should be noted that I admire them from a distance.  I don’t think our neighbors would like for us to have them on our property.

My guineas must be relegated to quilts and buttons and such.

Strollin' closeupI found a black and white batik fabric a couple of years ago that said “guinea” to me.  I made an album quilt of Sunbonnet Sue-style guineas and called it Guineas on Parade.

 

The art quilt here uses the same fabric and pattern I drew for that larger quilt.  This one is needleturn appliquéd onto a brown and white checked background (more on the philosophy of that here).  The sunflower in the border is raw edge appliqué on a brown  hand-dyed fabric.  All quilting is hand-guided, freemotion quilting using cotton thread.

Strollin' back closeupThis piece finishes at 16” x 20”.  For the back, I used a delightful batik I bought in Paducah.  Even though it’s on the back, it harkens to my philosophy of “using the good stuff“.

In addition to Guineas on Parade, I’ve included guinea buttons on a block in 52 Tuesdays, and an appliquéd guinea in 52 Wednesdays.  

I found a delightful poem about guineas online. In part, it reads

They seldom walk –‘tis a run or a trot,

Snatching bugs left and right, one for each polka-dot.

The poem in its entirety can be found here.

When I see a guinea, or hear one, it takes me back to a sunny day of softball practice where the “buck-wheat” cry of these birds interrupted our practice.  Those friends, the serenity of a spring day, the joy of playing in the rural outdoors, all come to mind and I feel a smile spreading across my face.

Dyeing to Make Something Brown

Brown is a new favorite color of mine.  Blue has always been at the top of the list for me, but in recent years, I’ve come to love brown.  Maybe there is a reason.

Brown vignetteThis photo is one I made a few years ago to use on the invitations to my family reunion.  Pictured are a platter and pitcher from the Tea Leaf dinnerware which was my grandmother’s pattern.  On the evening of Ollie Jane’s wedding in 1890, her mother hosted a supper for family.  She served the meal on those dishes and gave them as a gift to the bride and groom. These two pieces in the photo were later purchases, but I do have one plate left that was on Ollie Jane’s table that night. The large pitcher was one she used and I still use it, too.

Also in the photo is a piece of brown and white checked fabric.  I’ve been accused of “adding a little brown check” when a quilt needs a spark of something different (as in GBI Blues), or when I don’t know what else to use (as in Seven Black Birds). [Photos of those two quilts are in the gallery.] I included that fabric in this photo because it looks like the apron I remember Ollie Jane wearing a lot during the last years of her life.

When I printed the photo of Bunk Bates for the Flag Bearer quilt I wrote about yesterday, I printed the above photo on linen as well.  In thinking about a composition using that photograph, I decided to pour some dye in a bucket and dip some things.  Here you see them drying.brown fabric drying

Stay tuned for the final result, but suffice it to say, I’m having a lot of fun!  I ordered some indigo dye today; I can’t wait to play with that.  Oh, I like blue and brown together, too.

You can read more about Ollie Jane’s wedding and her quilts here.  And more about her influence on my quiltmaking here.

Flag Bearer

flag bearer quiltHappy Fourth of July from Bunk Bates.  I don’t know who Bunk is, or even if he is a he or a she.  But this photo has been a part of my life for as long as I can recall.  It was in my Great Aunt Nellie’s photo album.  The name “Bunk Bates” was scrawled across the bottom.

I’m sure I asked and was told who that was, but I don’t recall the reply.  But in scrolling through some old photos I had scanned into my computer, I saw it and decided it should become a part of my quilting story, too.

I printed the image on a vintage linen tablecloth and added color to the flag using watercolors. I embroflag bearer labelidered 48 French knots to represent stars, added some free motion quilting, and layered it atop a piece of an old quilt.  I guess it represents my freedom from all the rules of quilting, because I followed few of them.

Rescuing Vintage Linens

linens my purchasesWhen antiquing, I keep my eye peeled for vintage linens like the ones I found today at Blue Moon Antiques and Vintage Junktion (both stores in Warner Robins, GA).  I’m always hoping to rescue a treasure from the trash bin.  I look for linen or cotton, and pass up any that have a polyester feel to them.  I want hand embroidery or appliqué, but don’t turn up my nose at some older pieces that were machine made.

Sometimes, if the price is right, I buy a tattered piece for the lace or tatting on the edge.  And, yes, I do buy the occasional doily.  One antique dealer commented to me last week that “doily” was the most creatively spelled word he saw on dealer’s tags.

I know which booths often have nice linens in the antique markets we frequent regularly.  I know those which often have pieces that aren’t marked and have learned to make a fair offer–it’s usually accepted.  I don’t plan to pay top dollar for my treasures because I do intend to eventually cut them up and sew them to something else.  But I often use tablecloths, tea towels, and napkins for their intended purpose first, giving the pieces a personal memory to attach to the art being created later.

Today’s outing found me bringing home some lovely treasures at bargain prices (and a couple that weren’t really bargains, but were just too lovely to leave behind).  I bought dresser scarves, napkins, tea towels, doilies, a couple of linen bridge table cloths, a baby’s dress with delicate blue embroidery, some vintage handkerchiefs, buttons, and ribbon.

linens store displayAs I’m looking and touching and plundering, I’m dreaming.  I’m planning and scheming projects galore!  I love it when a vendor asks, “what are you going to do with these?”  Today I pulled out my phone, shared a few photos of recent pieces, and gave them some ideas to ponder. I could see their wheels turning as well as mine.  After all, they love the vintage cloth, too.  That’s why they have so much on hand.

Photos:

At the top, some of the treasures that came home with me.  Yes, the Longaberger basket was a bargain buy, too.  These double pie baskets make great sewing baskets.

Lower photo:  a booth in one of the stores showing just a small portion of the treasures I viewed today.

Mourning Flight

Mourning FlightThis newly completed piece is one I began earlier this month in a “Second Chances” class with Susan Lenz in Tifton, Ga.  Susan’s work with textiles takes on many forms, but in this class, we worked with grave rubbings and vintage linens to rescue memories and bits of fiber that might otherwise be lost.

When asked why she focuses on “death”, her answer is, “I don’t.  I’m interested in life…how to best spend what time is left. … I focus on leaving a lasting mark…the words, life, and art that remain.”  A link to her website and more details of her work can be found here.

In this class, participants only brought needle and thread and worked with Susan’s materials.  We took a trip to a local cemetery to create our own grave rubbings, but were also given the option of including some rubbings Susan had made in the past.  That is the source of the Mourning Dove in my piece.

detail of Mourning FlightThe dove’s image is on dupioni silk, the background fabric is synthetic. The ruffle is from a cotton pillow sham, the black lace a remnant in the bin of fabrics.  The dove is stitched with hand-guided, free motion quilting on a sewing machine.  All the other stitches and beading are done by hand.  Some beads came from Susan’s bins, others were supplemented from my supplies once the class was done.

label for Mourning FlightThe quilt back is a piece of a tattered silk log cabin quilt I found a few months ago in an antique store.  The label is a linen piece I bought from some other antiquing trip.  I’ve been rescuing such treasures for a long time, but only when I became acquainted with Susan’s work was I daring enough to cut them apart and use them fearlessly.

I wrote a bit about this workshop in an earlier post, here.  A significant portion of class time was spent discussing our motivation for working with textiles, our connection with others, and the legacy we might leave behind with our work.  There was an emphasis on our stream of consciousness writings where we examined our goals and stories waiting to be told.  This piece will constantly remind me of the progress I’ve made and the goals I’ve set forth to continue sharing my stories in cloth.