One of the sites on a must-see list for visitors to Macon, GA, is the Hay House, an antebellum mansion now maintained for tours and special events. Jim and I chose this site for a recent visit, taking my GBI Blues quilt along for a photoshoot.
GBI (Gee’s Bend Inspired) Blues represents everything I know that’s fun about quilting. I started with a sunprinted image I had made, surrounded it with log-cabin-style piecing of some of my favorite fabrics, used no rulers or pins, and just sewed! And the blues part is no surprise to regular readers.
Improvisational piecing is a love of mine. It’s done well by many quilters and I admire so many pieces created that way. But there’s a fine line between appealing quilts that have been pieced improvisationally and what I consider a big ‘ole mess.
The Gee’s Bend quilts are an art form all their own. In Gee’s Bend, an isolated community in Alabama, descendants of slaves made quilts in anonymity for generations. With limited resources, they stitched any fabric they could get, using no rulers or patterns. In the 1990’s, an art collector “discovered” their creations. He brought some of the women and their work to the attention of the art world. Just google Gee’s Bend quilts and you can spend the day discovering these magnificent pieces of cloth.
I had a friend who had taken a class from one of the Pettway women from Gee’s Bend. Her summary of the technique was, “don’t measure, don’t worry about cutting straight, just sew one piece of fabric to the next.” So, that’s what I did!
I followed the example of the women of Gee’s Bend, using fabrics from clothes Jim and I had worn, not necessarily quilting cotton. There’s a shirt made from ticking in there. When my friend Marie, a lacemaker, saw that I had left the pocket intact, she contributed a bit of lace to tuck inside. Borders of my beloved Cherrywood blues, along with a strip of triangles using indigo fabrics and a mint green solid, added to the mix.
With no measuring, and no finished size in mind, the top was done when it was done. It turned out to be a perfect lap size quilt, measuring 41” x 54”. I pieced the back, too, using a Wonky Star (I need to write about that technique – haven’t done that yet) as the center, and again pulling some of my favorite blues together.
When it came time for the quilting, I continued the theme of “this is for FUN,” playing with all kinds of designs and threads. I added french knots to the Queen Anne’s Lace at the end because it seemed that it still needed something.
I have a self-imposed rule of keeping blog posts reasonable in length. But, do use your search engine to see more of the Hay House and Gee’s Bend quilts when you have time. Both are well documented online and worth your time!
Some photos are ones I took. Some are Jim’s with his amazing digital darkroom skills. I think you know which ones are whose. The only full view I seem to find is this shot at the Ga National Fair.
This was the lucky shot I captured on our recent trek to see the trumpeter swans visiting here from northern climes. When Jim tiptoed to the truck for a shorter lens, I caught them swimming and their long necks forming a heart, skewed perhaps; but I saw a heart! I like “wonky” in quilts anyway, so the heart they formed was perfect!
I printed the photo on silk fabric, layered it on wool and cotton batting. I quilted the entire photo with silk thread, then added hand stitching with a heavier red thread when done. Beads were hand stitched as eyes.
Some unknown person who tatted the edging on the placemat contributed to the piece as I used that as a mat for the photo. A bit of red fabric created an inner border.
