Janet Powers

Inspiration comes from everywhere…sometimes in small doses, other times in overwhelming waves of glory.  The latter came in a funeral home.  Well, what once was a funeral home – now it’s the Gallery on Newcastle.

View of gallery from Janet’s studio

We were on our way home from a glorious few days on the Georgia coast and my mental sketchbook was full of images: of skies, driftwood, fences, moss-draped trees, architectural elements, and more.  A stopover in Brunswick, Ga led us through neighborhoods of beautifully restored homes, shopping areas broken by delightful parks, and some interesting shops.

Behind this double door is the bay where ambulances would arrive with bodies to be prepared for burial

I loved all the shops, bought things in a few, but when we entered The Gallery, I knew I was somewhere special.

This wall filled with beauty included a patchwork quilt…of oil paintings of the marsh

The entry was intriguing with a display including a beautiful book of portraits of marshes.  I knew immediately that would be a purchase.  Jimmy G and I had just been talking about the serenity that comes with a view of the marshes while the marshes themselves are constantly changing.  

A greeting, an exclamation of wonder at all this building held, and then the realization that we were talking to the artist.  The ARTIST in this place.  Janet Powers had not only painted the oils inside that book, but she had made the assemblages and the sculptures and the mixed media paintings that filled the space.  There were pieces by another artist or two; but by and large, the work was hers.  

Janet and her mother made this banner from textiles that held personal stories
One of many assemblages in a reclaimed glass

The most intriguing pieces of Janet’s work that drew me in closer were her houses…well, that’s how I saw them.  I’m not sure she calls them houses, but they are magical boxes with doors and drawers and curtains and filled with fascinating things.  Some found objects, some past sketches, some reworked pieces of art exploration.  And each one tells a story.  And each viewer sees her own story in them.  At least this viewer did.  

Three of what I think of as houses with delightful interiors
This box contains pages from one of Janet’s sketchbooks
Beyond the sketchbook pages are more treasures, behind curtains and in drawers.
This box holds items collected on beach walks. I love the shark swimming through.

As we toured the massive space, Janet answered my zillion questions and quickly saw what intrigued me and filled in details.  She allowed photos and gave me permission to share the visit with you.  My words and photos will just give you a taste of her fabulous work.  You must plan a trip for yourself!  

In her studio (formerly the room where bodies were prepared for burial), I saw the usual fascinating array of easel, paints, and brushes.  And on the wall, I saw Italy.  Those paintings were done when she was teaching there in the 90’s. 

Sculptures and paintings in her studio (formerly the room where bodies were prepared)
Paintings of Italy.

I asked about her beginnings as an artist and learned that she trained to be a nurse, then explored drawing and painting.  Some of her first work as an artist was designing cross-stitch patterns.  She had some of her leaflets and worked samples on display.  I’ve done my share of counted cross-stitch, and let me say these are stunning!  It’s easy to see that Janet had an understanding of color from the beginning.

Some of Janet’s cross-stitch design leaflets and stitched pieces

I couldn’t absorb all the inspiration that the gallery held, but I did love soaking in what I could.  

Janet has done several pieces using textiles, some are pictured here, yet others are in the gallery. Of course, you know I was drawn to those, but it was her mixed media pieces, the dimensional collages in glasses and boxes that raised my heart rate.

Detail of a massive textile collage Janet has created.
A table in the center of the gallery displaying boxes and more…
This is part of a series of works lamenting the cultural shift that is robbing little girls of their childhoods.

I found everything Janet has made to be rich with its own story. But talking with her and sharing our enthusiasm for communicating through art was really empowering. I know the visit will make a difference in what I create and how I think about making. You just never know what encounter will change you.

Janet’s website is https://janetpowers-artist.com. There you can learn more and be inspired yourself. But there’s nothing like a visit to see her work in all its detail!

SeaSquared by the Sea

SS on a bench inside the Horton House

We went to the Georgia coast for a few days last week.  As I try to do when heading out the door, I look for a quilt to drag along.  This time I grabbed SeaSquared.  An ocean scene seemed perfect for this trip, and this quilt had not been on a photo shoot before.

Sunset over the marsh.

We love the marsh side of the island, but always stroll along the beach, no matter the time of year.  Last week the weather was perfect for that.  

SS posing on some of the “bones” of Driftwood Beach

We took the fishy quilt to Driftwood Beach and let her pose there a few times.  It was windy, but I didn’t lose her.

SS on a safer perch…
and just a bit closer…

Every time we go to Jekyll and visit the Horton House, I always wish I had brought a quilt to pose against those tabby walls.  This time, success!

SS on the windowsill of Horton House.

SS on the window sill of our balcony…don’t you just love the lattice everywhere. I foresee a Jekyll Island quilt with lots of different lattice designs.

And our home away from home was the Jekyll Island Club Hotel.  As we sat on the veranda enjoying breakfast one morning, we were remembering that my colleagues and I had given a presentation in one of the meeting rooms there for a group of school administrators.  (Many years ago I was a high school math teacher, then a system level math curriculum person.  The Georgia Council of Supervisors of Mathematics held our annual conferences at this hotel.)  We called our program C2, short for Curriculum Compacting in Mathematics.  I had that program in mind when I named this quilt Sea Squared.  It seemed appropriate to take some photos at the entry to the room where that presentation was given.

on the railing near our breakfast venue
front of quilt
back side of quilt

The details of the construction of this quilt, and how it came to be called SeaSquared, are in an earlier blog post, here.

Sewing To Go

I try to keep a travel sewing project ready at all times.  I like to have something on hand to do whether I have a few minutes to spend on the porch, or we are heading out for a day trip, or we are off on an adventure for days or weeks.

My latest hand piecing project has been these blue and brown spools.  When I don’t have another project for hand stitching, or for stitching on the go, I’ve been making spools.  I put them on the design wall yesterday to evaluate my progress. I arrange them to check color placement and balance before sewing more together, and to choose colors for the next batch to be prepared.  I had sewn twelve blocks together at first and liked them so well that I prepared more. And, now again, I need more.

These blocks are posing on linen tablecloth – another found treasure in an antique store heap. I do use the tablecloths for their intended purposes sometimes…I don’t cut them all up for sewing.

These are all linen.  Linen lends itself to hand piecing very well.  It’s easy to slip the needle through the fabric between the threads.  And hand fatigue is lessened if you can do that rather than pierce a tightly woven fabric.  These finish at 3″ square.

All this linen is vintage.  A lot is from worn clothing of mine and Jim’s, some vintage table linens, and some remnants I’ve found in antique stores.  Often there are boxes of linens almost being given away.  A stain here, a tear there; not a problem for me.  I’m going to cut it up or dip it in the dye pot anyway.

This project rides in this darling little vintage train case.  I loved that someone else had taken the time to clean it up and decorate it for me.  The exterior appealed, but when I opened it up and saw that blue bow on the fabric lining, well, I guess I looked at the price tag…but maybe not.  It had to be mine! I wrote about it earlier here: https://sandygilreath.com/on-the-road-again/.

The case holds some spool pieces (trapezoids and squares) that I’ve already cut out and pinned together as a block, some more pieces stamped on more linen, a pair of scissors with serrated edges, and my sewing roll. 

These pieces are prepared using a set of stamps for this purpose.  Talk about portable projects – the stamps and fabric ink can be carried along for the ride, too!

I used an old cutter quilt that had been dipped in the indigo dye pot as the basis of my sewing roll.  It has a pocket for a spool of thread or two, a place for my needle threader, thimble, some pins and needles.  

Maybe this need for portability came from the times I got last minute calls to head somewhere to help out with an ill or elderly relative.  Those hours in waiting rooms can be very long with empty hands.  So I still try to have some ready-to-go sewing at hand.  

Maybe we should take a trip!