I have a magic wall in my sewing room. Two 4’ x 8’ sheets of foam insulation board are covered with fleece and nailed to the wall. They hold projects for me to consider, analyze, rearrange, and organize for sewing.
My grandmother did not have a design wall. Quilters these days are advised to use a vertical wall to consider color placement and other options in the quiltmaking process. I am fortunate to have space to have a permanent design wall, but there are options to use one that can be put away when it’s not in use.
In the photo here, you see that my space is larger than most quilts I make. The left side holds a wall quilt in progress. Once I start sewing the blocks together, I’ll put them back on the wall in units so the layout doesn’t become confusing. The magic of this wall is that fabric clings to the fleece (or flannel, or batting, whatever you use) without pins. This makes it easy to move blocks around until the arrangement is just right! Once several blocks are sewn together, the weight sometimes makes it necessary to add pins to hold things in place. And, yes, I do move to the floor when the whole thing is too cumbersome to hang – but by then the design decisions have been made.
My wall also serves as a holding station for projects on the way to becoming. As I see pieces in progress (as on the right side of the photo here) I plan ways to bring them to completion, or combine them with another project. Serendipity comes into play sometimes as stray blocks sit beside each other and become companions in a quilt.
The blocks on the wall are a reinterpretation of Miss Lily’s Red Baskets, which I shared here. I stitched all these little baskets (they finish at 5 1/2” square) with Kaffe Fassett fabrics onto a Cherrywood background. Once I put them on the wall, they needed something. I decided to use the focus baskets like one in Miss Lily’s project, but, rather than one, I used three. And, rather than a bow, I added these birds cut from a funky whimsical fabric I had on hand. The leaves came from that fabric, too. While the baskets are all needleturn applique, the birds and leaves are raw-edged. They are held in place with Jude Hill’s invisible baste stitch. As I do the free motion machine quilting, I’ll stitch these pieces down.
This photo shows my debate about using all basket blocks, or including some free-flying birds.
As usual, you can click on any image to enlarge it. When done, just exit the photo and you’ll come back to this page.
A few days ago, I crashed a party. We were on a backroads jaunt and I remembered that some of my friends were attending a quilting retreat at a nearby wildlife refuge. I asked Jim to make a stop and let me say Hello. He asked, “Can you just pop in? Were you invited? “ I assured him, “It will be fine. They won’t mind. They will all be happy to show me their projects.”
Angie was piecing some animals. Mary was working with baskets. Jean had stars on her design wall. She had discovered that her alternate blocks were cut from directional fabric, unnoticed until they were put on the wall. She had lots of advisors to help her decide how to deal with this dilemma.
Joyce had two big appliqué projects: a Baltimore Album that just needs a few details and a border attached, and a fabulous Kim McLean pattern all with big pieces of Kaffe fabrics. Joyce is one of our guild’s charter members and she still produces more quilts than several of the rest of us combined! She was sitting beside Hilda, her BFF for more than FIFTY years. They have worked on many projects and been to many retreats and heard many stories in that time, don’t you know?
Dewey was there with his longarm machine and an eight-foot table. He had already quilted two quilts at the retreat for other participants and was doodling on his machine while he waited for others to get backs prepared for him to quilt their tops.
Here is Donna working on a One-Block Wonder. And Dewey had just finished the quilting on her Friendship Garden before the retreat. Now she can add the binding and label and it’s done!
Mary had run to the store, but her work-in-progress is here. Mary is the organizer of this event. Someone has to take charge and she does it well! She reserves the space, organizes the guest list, plans the food, and assures that everyone has fun. And she is successful, because these people plan their calendars around Mary’s retreat dates. Because of her, the sisterhood thrives.
Lynn was putting the finishing touches on a garden scene, while Eleanor was working on a batik project complete with labels to insure that every block ended up in exactly the right place.
We are Bed & Breakfast travelers sometimes. When we leave home, we like adventure. B&Bs provide a unique experience every time. And, in thirty years of enjoying this, I can’t think of one that didn’t prove to be positive. Of course, there was the one where we stopped and looked around, but choose not to stay the night because it seemed spooky to Jim.
We’ve stayed in B&Bs in the mountains, at the beach, in warm weather and cold (oh, my goodness was it cold once in Charleston – and our room was at the back of a long addition to an antebellum cottage. We thought the heat must have been distributed from the front to the back). We’ve enjoyed them in small, medium, and large cities, and in out-of-the-way places that made us wonder how guests ever found them often enough to keep them in business.
I suspect some of those people remember me as the lady who takes a sewing basket wherever she goes.
The tiny desk tucked in a corner made us think of all the creativity that had come from such quaint attic spaces. Jim commented on the quaintness at the same time that he said he would go insane ducking his head all the time. My reply was that many creative people did just that – went insane.
The make-do decor in B&B’s is always interesting. Many time inn owners have clearly been decorating on a budget, saving the big bucks for luxurious towels, fine soaps, and good food. This kitchen faucet intrigued us. Perhaps repurposed, it extended past the perimeter of the sink in most positions. Fun and funny to us!
I’ve written before about how stitching soothes my soul. That happens when I’m in front of the tv and multitasking, when I’m visiting with family and friends and my hands are busy, or sometimes when riding in the car. Those are often the times when my hand stitching gets done.
As I watched her video where Jude is adding white hearts to a heavily stitched white nine-patch and emphasizing the touch points of the hearts with red thread, she notices that they remind her of a scar. Her perception always gives me pause, and this struck me deeply.
I can’t explain why, but I had a flashback to my life working with teachers. One of my colleagues heard a teacher say, “we like this book because we can go in the classroom and teach without having to think about it.” Harriet said to me, “I don’t want teachers who don’t think about what they are teaching.” Indeed.
Sometimes I sew without thinking about sewing. And, that is relaxing to me, to be sure. The rhythmic pulling of thread through cloth allows my mind to be somewhere else, planning something. But Jude’s symbology in her work, her soul searching thoughts remind me to pursue even more depth in my stitching stories. She reminds me that only when we share the stories behind our work, the symbology we’ve included, the strategies we’ve used, do others really appreciate our art. I admit if I had seen the white hearts on white stitching, I might not have noticed the red thread, and if I had, I might not have made the “scar” connection.
Photos: The photos of the “beast” piece is one I was fortunate enough to buy from Jude. When her pieces go on sale, you have to be sitting at the computer watching (or lucky) because they sell quickly. I love having this piece to examine. Seeing her stitches and handling her work informed me of her techniques so much that I began to consider selling some of my own work. If my work could help another quilt maker with a particular technique, or if the final result gave a viewer satisfaction, than I would be willing to share it that way. You see images of the whole piece, approximately 6” x 9”, and closeups of the front and back.
The photos of the blue hearts are my work. I made that piece after watching Jude’s 
In recent months, I’ve had several opportunities to share my quilting stories. The emphasis is on sharing – listening to quilting stories from other people as much telling them about mine. There is the frequent conversation beginning with, “I remember seeing my grandmother make quilts,” but there are many different experiences along those lines. I also hear, “I’ve always wanted to learn to quilt”, “I have my mother’s sewing machine”, and “I find it so relaxing to sit and stitch.” I never hear, “what is a quilt?” Everyone seems to have memories of quilts in their lives.
A few weeks ago, I spent three days sharing Fifty-two Tuesdays, the quilt and the book at Mistletoe Market ( a festival-like weekend shopping experience in Perry, Ga.). As I repeatedly summarized my experience with that journal quilt, I came to realize how that adventure changed my focus from traditional quilts to story quilts. In the fifty-two weeks of 2015, I depicted a scene that represented an experience in my life each week. I also explored every quilting technique I could, in essence making it a sampler quilt, too. In so doing, I tried things that I would not have wanted to pursue on a large scale.
I learned that printing on silk fabric gave a luster to photographs that seemed dull when printed on paper or canvas. Now I’ve explored that more fully with several art quilts. (Examples written about here are 
Make no mistake, I still love traditional quilts and will continue to make those. But the freedom to tell a story in a small piece of cloth, using traditional quiltmaking techniques is very compelling right now.
I am assembling the blocks from Fifty-Two Wednesdays, my journal quilt for 2016. I’m still imagining what the journal quilt for 2017 might be – if I do the weekly quilt block again. I have a few days to decide; I will continue the weekly format I’ve done before, using Thursday as my deadline.
