Month: August 2020

Dots and Vines

Yes, I’ve been sewing in this safe-at-home time.  I’ve been busy finishing old abandoned projects as well as exploring new ones.

One of the new things I’ve done is this piece I called Dots and Vines.  Inspired by my grandmother’s quilt on this table in our den, I assembled many many circles appliqued on squares.  

Ollie Jane’s quilt lives on this table most of the year and I continually look at it and think, what a powerful design.  I ought to recreate it.  Finally, I did.

Though it doesn’t look much like her work (nor much like mine, for that matter – it’s rather modern, don’t you think?),  it’s another example of stitching that reflects the love of cloth through generations; a tale that never grows old.

I chose to use Cherrywood handdyed fabrics.  The circles are 1” in diameter, the squares finish at 3”.  I spent many morning hours on the porch stitching these, and many more hours doing the same at night in front of the tv.  Many hours of delicious time thinking and soothing the soul while pulling a threaded needle through cloth.  

There were days when the finished blocks danced all around my design wall, trying to find the right arrangement of color.  Here you see them with several fabrics I considered using as borders.

But the final arrangement has no border.  A nice stripe from Kaffe Fassett’s collection as binding seemed to bring enough closure.

I knew the entire time that I wanted to quilt a meandering vine from variegated thread, so that’s the rest of the title, Dots and Vines, a bit of homage to a book I came to love in college math classes, The Dot and the Line.  I considered August 12, 2020  as its title – that’s the day I finished the quilt and it just happened to be the 225th day of this calendar year.  But that title requires too much explanation in casual conversation, so Dots and Vines it is.

I made many more circle blocks that are waiting another use.  But the 225 that I chose means I have a 45” square finished piece.  I like that size.  It’s good to drape over a chair, take along on a photo ride-about, or use as a table topper.

I continue to stay busy with a variety of things, including nature photography.  But most things are connected to fiber in some way.  Don’t you think it would be interesting to make a textile version of these mushrooms?  I see red thread here.

More about my grandmother’s quilts can be found here and here. Enter “Ollie Jane” in the search box for even more.

Lockdown Learning

Friends I encounter many days on my morning walks.

During the five months that we’ve been staying at home, I’ve had time to explore new things.  

A zebra longwing in our front yard.

I’ve used my camera a lot, learning more about it, and even adding to the equipment inventory.  When we first learned that we were elderly and in the high risk group for Covid-19, I started sendng a morning photo greeting to our girls via text message.  Just a pretty way to say to them, “the old folks are fine,” so they could get on with their day without worrying about us.  I used my phone at first, learning new photo and editing capabilities.  

Then there were things the phone didn’t capture as well as I wanted, so I pulled out the digital mirrorless camera and learned more about it.  

We have several rabbits in our yard this year. So far, we’ve only SEEN them eating grass, but a few other plants have been mysteriously pruned.

When I needed a faster lens, or more “reach” for some of my subjects, I needed a better zoom lens.  

A woodland sunflower captured on a visit to Piedmont National Wildlife Refuge.

Looking through the lens of a camera changes things.  I’m not much of a gardener, but I needed to know the names of the plants I was photographing – because at least one of three recipients of these messages would ask.  And, distractions in the background weren’t good, so I pulled more weeds than I ever have before.  Who knew that such a simple act was so transformative?

A drawstring bag incorporating a bit of vintage embroidery and hand-dyed indigo linen.

Simple things are transformative in the sewing room, too.  I’ve used this time at home to explore more stitching opportunities, too.  I’ve finished several traditonal UFOs (and now I realize I need to photograph those), explored ways to include vintage linens in different projects, and reread many of the quilting books on my shelves.

Exploring more uses of ink on fabric inspired by Pam Holland’s draplique tutorial.

Though I could have done all this at any time, there’s something about not having plans to go anywhere, not having deadlines to meet, that is liberating.  I do miss seeing my quilting friends at guild and I miss teaching classes, but without those obligations, I’m enjoying researching new aspects of my own creativity.

A fabric flower adorns a notebook cover made from vintage linen fabric. I secured all layers using a double seed stitch to add texture. This new-to-me stitch is a fun one I will use again!