Category: indigo

Linen Luxuries

I went shopping and brought home some linen treasures.  They are all glorious to look at.  I can’t wait to stitch on them, piece with them, and maybe dip one in the dye pot.  The textures, the colors, the glorious weaves inspire me.  

Yesterday’s haul included four linen tea towels from India, a vintage French tea towel (the checked fabric in the photo), a white on white woven towel, and a pristine square linen tablecloth.

I can’t know all their stories.  But I can imagine…

Some have memories of India in those huge indigo vats where they dip linen to get this rich vibrant color.  These textiles are new.  Woven and dyed to sell to someone.  How many middle men shared in my money before I got them home? I don’t know, but I know I love all the hands that brought them to me.  And I can’t wait to stitch on them.

Those indigo tea towels were so gorgeous, I bought all four that the store had to offer. I hung three of them in the kitchen so that I can just enjoy their beauty before cutting and sewing with them…I might even use them as tea towels…

One has memories of France.  In whose kitchen did this towel do its work?  I can imagine it hanging on a wire hook against a stone wall in a kitchen with a brick floor and copper pots all about.  This is the kind of textile that inspires the French General collection of fabrics from Moda.  I’ve loved making things with those reproduction fabrics, but there’s nothing like the real thing to stir my soul.

I couldn’t resist pairing the “new to me” French towel with some other things already in my stash…awaiting the right companion.
This bit of wool applique (from a Maggie Bonanomi pattern) is waiting for more companions to make a new quilt…it’s coming together with this new acquisition.

And a woven textile of white on white – I’m not sure of its origin.  It has stains to show it’s been a worker, but the beauty of the weave caught my eye.  I might have been hesitant at the price until I saw the “S” monogram.  Yep, it came home with me.  This one might get a bath in a dye pot.  The stains would disappear, and the weave would become more pronounced.

I love imagining the places these fibers have been.  And I love imagining the possibilities of what they may become in my hands.  I’m not certain of those outcomes yet, but I do know that when I see them, or parts of them, I will remember a glorious day of strolling, shopping, browsing, antiquing, lunching, languishing over coffee with my soulmate.  There’s nothing more beautiful than that.

Is it a coincidence that the fabrics I bought yesterday are red, white, and blue?  I think so…but it’s certainly a good time to share them.  Another red/white/blue story is here…and some of the Moda French General fabrics are in the quilt here.  The blue and tan quilt in the background of some photos is described in more detail here.

Old Indigos

On a sunny day during a bleak week in January, we went for a ride about and took along a quilt. Old Indigos posed beautifully at Auchumpkee Creek Covered Bridge.

You know I love indigo…and I love vintage fabrics…and I love playing in the dyepot.  This project combined all that.

I cut up some old indigo fabrics and appliqued a few flowers.  I used some fabrics I had dipped in the walnut dye bath as backgrounds, and just stitched simple flowers.  

Since all these rectangles were different sizes, assembling them could have been complicated.  To piece them together, I would place them on the design wall, measure carefully, and cut precisely sized bits of khaki linen (my “sashing” fabric of choice for this project), then sew together.  I’ve done that before and it’s not too hard using some gridded paper.  But this time, I used a much simpler process.  I arranged the floral blocks in a pleasing manner, pinned them to the khaki linen, and appliqued those rectangles down, too.

The final measurements for this project are 27” x 31”, perfect for spilling out of a basket or draping across a piece of furniture.

I finished this quilt almost a year ago…but just haven’t been posting on this site. Technical issues have convinced me that it’s time to find another way to share.

I’ll be moving my stories to other formats.  Exactly what form that will take is uncertain:  some Facebook, some Instagram, maybe a book.  

The site and the 250 or so posts I’ve already done will be here on my website until early February, at least.  If there are old stories you want to reread, or to save, now’s the time.

I’m on Facebook as Sandra Hasty Gilreath, on Instagram as Sandy A Beekeepers Daughter. 

108

In the last couple of years, I’ve been obsessed with circles. 

One of my explorations dealt with blue and white circles appliquéd to a brown linen tablecloth.  For all these projects, I didn’t count the circles…just made them until I thought I had enough.  I laid the blue circles on the brown linen until I liked their distribution, pinned them in place, and started appliqueing them.  

I wanted to hand quilt this larger piece using the seed stitch.  I love the texture that stitch gives.  I’ve used it on smaller pieces a lot, but wanted to see it on a big piece.  I used Aurifil #12 thread, stitched a double seed stitch overall though only the top and batting.  Then I added a backing layer (a piece of an indigo overdyed linen sheet) and stitched through all three layers with the same thread around the circles. 

I never had a title in mind for this as I worked – I presumed one would come to me.  My working title was “blue circles on brown”.  That could have worked for a final title.  But as I neared the end of the stitching, I decided to count the circles.  107.  That could work..it’s a prime number and I like those.  But, I needed a label on the back.  If that label was a circle, I’d have a total of 108.  108 has meaning in my life and I love for the quilt title to have meaning.  

I grew up in Turner County.  During the years I was learning to drive, our county’s number was 108.  So, the title of this quilt was born.  

Between 1957 and 1970, county codes were used as part of an auto’s car tag.  The first numbers on the tag were based on the respective population of the county.  Out of 159 counties in Georgia, my home was 108th in population those years.

Notice that on the label, I used some of the trims I’ve recently dyed with black walnuts.  It’s tempting to “save” those precious bits we made or altered, but I’m in the business of using them.  Here the tatting that took the dye so well borders the 108th circle.  Oh, and the fabric circle is cut from the center of the napkin with the embellished corner.

I made Dots and Vines, which you’ve already seen, stitched some circles on a bit of linen for a scarf, and made these blue circles and appliquéd them to a remnant of a brown linen tablecloth. I have lots of prepared circles waiting to become part of another quilt, too. The post on Dots and Vines is here.

I guess this little brown linen pillow with buttons attached fits the circle category, too.

I’ve referenced my love of the blue and brown connection before. One post describing a rolled up quilt exploration is here. And a sweet little case I found that’s blue and brown and toile and bows is here.

This finished quilt measures 40″ x 60″, a lap quilt for reading or watching tv. And, yes, for napping.

Before and After Blue

I recently promised more images of things from the indigo dye pot.  I love them all, but perhaps my favorite is the old embroidered tea towel you see above.  I bought this tattered piece at an antique store, and though the stitching is lovely, it was a bit pale, as you see in the next image.

The beauty of buying a towel with stitching at both ends is that I can play with one and save the other, so I at least have one intact bit of stitch with history to use.  So I ripped it apart, and dipped one in the dye pot.  Oh, my.  Isn’t it lovely?  Yes, now I know the other end just might go for a swim, too.

Here are more results from those recent days of dyeing.

a pile of linens fresh from the dryer
A beekeeper’s garden toile from a bargain bin is now happier in my stash – it’s blue!
some handwoven linen from Belgium overdyed…great for tea towels, placemats, who knows?

A bit of old barkcloth curtains is now brown and blue…my favorite combination!
And the blue roses I shared last week…they still thrill me. Here they are on a different background.

Blue Roses

On an antiquing trip before the stay-at-home life began, I bought some old fabric flowers.  I had been experimenting with making my own fabric flowers (which I wrote about here), so I thought this bouquet would allow me to examine someone else’s construction techniques.

The roses were dirty – stained and discolored.  But at $1, I didn’t mind that.

Last week I chose to spend a few of the last hot days of the year playing in the indigo dye bath.  One of the pieces that I dipped was this bunch of roses.  Aren’t they nice?

I dipped other things, too.  This shot of two lace coasters shows the difference in one dip in the dye and two.  This shot on the wooden table could have been part of the last post on Blue and Brown.

A vintage crocheted tablecloth went for a blue swim, too.

More blue things in the next post….

Dancing Hearts

Old spools, old quilts, old ticking, old buttons, memories in old clothes.  What’s not to like?

Put them all together in a new format.  Unroll to see fresh delight every time.

It seemed a perfect place to collect some old reds and make a Valentine’s project.

The old quilt was soiled and tattered, tan and white with red accents.  I love that the indigo dye subtly changed the backgrounds, but left the reds RED.  

The unfurled piece measures 7” x 30”.

I love the rolled format for story quilts.  The first one I did is the one above. And, I’m working on another one now. It has hearts on it, too.

Swatch Journal

I recently had to buy a new one of these.  If you sew, you recognize this as a seam ripper.  We all use them to rip out mistakes, but I’ve lately been using one a lot – to deconstruct some garments.

I came into possession of some old sewing paraphernalia and vintage clothing in our family.  I sorted and washed and cut apart and added the bits to my stash.  Most deconstruction is done with scissors and a rotary cutter, but button removal is most easily done with a seam ripper.  There were lots of buttons. There was some delicate lace edging to remove with a seam ripper, too.

The seamstress wasn’t a quilter, but she had some unfinished projects.  The yellow at the top of this photo is a little girl’s dress – almost finished – only the lace to add down the front.  Maybe buttonholes were needed.  Maybe the little girl decided she didn’t like yellow, maybe she outgrew the size of the pattern.

There was yardage of the navy fabric on the right in the photo above. From the shapes of the fabric that wasn’t used, I knew an apron had been made from that fabric.

In the bundles, there was fabric that was wool, rayon, cotton, silk; of course I am anxious to dip some of these in the dye pot.  In the interest of research and because I like to do such things, I wanted a record of what fabrics were made of which fiber.

Also on my “want-to-explore” list is making books with fabric.  I’ve done some of that, but for this one, I started with a paper booklet and stitched the fabric swatches on the paper, leaving room to add written notes.

There were also some patterns and what looks to be a template cut from a 1956 newspaper.  Some of these treasures will end up in art projects of mine.  For now, bits of all of them are in this project, the booklet.

I left room to add swatches of the fabrics once they are dipped in the indigo bath, and as I continue to dig through the treasure chest, more embellishments can fill some spaces.

Dipping in the Indigo

I recently gave a talk to a guild about using indigo fabrics in quilts.  I shared old quilts and new ones I had made.  I included purchased indigo fabrics from Africa (again, both old and new ones), commercial reproductions of indigo fabrics, and fabric I had dipped in the indigo dye bath myself.

Once home, I rearranged quilt displays so I could visit with these pieces more.

And, with warmer temperatures outside, I knew it was time to resurrect the dye pot and get busy.

So for the past couple of days, I’ve been dipping. Yes, even a lampshade.

This is a tablecloth my mother crocheted for me in 1985.  It was beige.  I would see examples of this in antique stores and think how beautiful these objects would be if they were blue.  

So I bought one to test my theory.  I dyed this one on Tuesday and I liked it so well that I dared to dye Mama’s handwork on Wednesday.

I dipped a lot of other fabrics each day, too.

Napkins are always a favorite.  The group pinned together is 9 matching linen napkins that had never been used.  All the same size, I think they will be great backgrounds for appliqué.


A printed black on white linen skirt takes the dye beautifully.  And, one of the most delightful pieces I dipped is a piece of Moda’s new line of barkcloth.  It’s 100% cotton, but beefier than quilting cotton, and dipped and washed and dried, it is soft and buttery and ravels beautifully.  Raveling well is important to me.

I’ve joined a new online group with Jude Hill, her latest adventure in soulful stitching.  Ragmates in this journey with me can expect to see some of this dye lot in future explorations.  I’ve written about Jude before in many posts, but she is the one who convinced me that I could explore indigo dying.  Thanks, Jude.

Blue and White and Red

Quick, answer this question:  “What is Sandy’s favorite color?” 

That line brought a big chuckle when I recently asked it at a presentation I was giving.

It’s a little obvious when my work is collected together.

 

 

 

But sometimes I like to add a bit of red and white to the blue, as I did in this piece that’s next on my list of “ready to quilt.”  

I’ve mentioned before that I like to work seasonally.  So a small project I made this year as July 4 approached was this one called Stars in Bloom.  The pattern came from Blackbird Designs, and I interpreted it in cotton and wool. 

The rich red flower petals are various reds from my wool stash, the most prominent being from that red cashmere coat I bought a few years ago.  The vines and leaves and blue stars are cotton fabrics.

 

 

I certainly want the quilt label to be unique.  It’s important to include a label identifying the quilt title, the maker, the date.  A simple rectangular piece of cloth containing this information is better than nothing, but since I began quiltmaking, I’ve enjoyed including elements of the quilt’s design in the label.

Ollie Jane’s Flower Garden has a lily similar to the one on the front of the quilt as its label.  Walker’s Pasture has a miniature photo of the front of the quilt on the label.  Mom and Apple Pie’s label features a flag (an appliqué element from the front – and the label you see at the right).

That said, I may have gone a bit overboard in this small piece.  The combination of hearts and stars on the front led me to include a heart and a star.  It took a big star (well, big relevant to the size of the quilt) to contain the title and my name.  Then an even bigger heart was needed to surround the star. Above, the view of the backside.  Do you think the label is visible?

As has become my custom, I embraced the raw edge on this label.  The star was machine stitched to the heart, then the heart was attached using the “glue stitch” I learned from Jude Hill, hand stitching the label through the quilt back and batting.  As time goes on, the raw edges will fray more, adding to the charm of the back.  Or to the tattered look, depending on your perspective.

More about Stars in Bloom:  This piece finishes at 12” x 17”.  The appliqué is a combination of wool and cotton.  The cotton pieces are hand stitched needle-turn appliqué.  Some hearts are made of felted wool and stitched down with a whip stitch, again by hand.  The quilting is free-motion machine stitching (incorporating some hearts in the design) using silk thread on top and cotton thread in the bobbin.

Dyeing Notions

My indigo dye pot has seen action this summer with fabric and notions.  I found a big bag of  wooden buttons in an antique store and wondered, “will these take dye well?”  For a $3 investment, I thought it was worth the risk.  The payoff was spectacular!  I suddenly had a tray filled with blue buttons drying on the back porch.

I love buttons almost as much as I do fabric and love to find old buttons of bone,  horn, or wood to add the perfect note to projects.  These that went in the dye pot were NOT antique treasured wooden buttons.  They were machine-made for craft projects, just hadn’t been used and were being sold for a song.

After that success, I decided to try dyeing some threads.  I have dipped some embroidery floss and some perle cotton.  It adds a little more personality to know that I’m stitching with something unique.

So my latest finished piece is called Blue With Blue on Blue.  I appliquéd the melons onto a vintage linen tea towel, then did minimal machine quilting around the appliqué, and attached the dyed buttons using dyed floss.

 This turned out to be a  fun project which will generate memories of hand stitching, dyeing, and playing every time I see it.  It is now keeping company with another couple of favorite pieces in an out-of-the-way corner that almost no one sees.  But I see it.  And I like it!