Cyndi’s killer quilt

killer hexagonsToday at a community event where I was invited to share my quilting story, members of the group were invited to bring some of their family quilts as well.  Several did just that.  What fun to hear others’ quilt stories.

Cyndi brought a beautiful quilt pieced of hexagons.  Of course, the shape of the pieces got my interest immediately.  The arrangement of those hexagonal pieces was one I had not seen before, but the captivating feature of the quilt was its multigenerational story.

The quilt was begun sometime prior to 1917 by Alma, for her daughter Cleona.  Sixteen-year-old Cleona died that year at the age of 16, and  grief-stricken Alma stopped work on the project.  Alma herself died before ever getting back to work on the quilt.

Cleona’s aunt, Norma, took on the project at some point, but she, too, died before completing the work.

Years later, Norma’s daughter Cleona (niece to the first Cleona) married and asked her mother-in-law, Sarah, an accomplished quilter, to complete this piece of history.  Sarah refused, citing “that quilt has already killed three people!”

Determined, but out of connections to help, the younger Cleona took on the task herself.  Her husband built quilting frames for her and she began work.  When the master quilter Sarah saw the sub-standard stitches going into that gorgeous design, she gave in and completed the task.

Sarah lived to be 100 years old, so it seems the curse was broken.

Part of my talk emphasized labeling quilts, writing down the stories for future generations.  Cyndi had already done just that, complete with a genealogical chart to accompany the story.

Version 2Now I’m itching to grab some hexagons and assemble them in the pattern these women used.

Orphan Baskets and Bunnies

framed pearMany quilts are made in small units, or blocks, which are then assembled into a larger quilt top.  Most quiltmakers I know have an abundance of “orphan blocks”.  These can result when a project is abandoned, when extra blocks were made to test color combinations or size, or when the stitcher simply changed her mind about where the design was going.

I sometimes intentionally create orphan blocks.  I find hand stitching to be therapeutic and if I’m not in the midst of a big project, I love to explore single block designs.  Whether piecing or appliqué, I love playing and planning.  Many times, a big idea grows from a small block.

After I completed the appliqué for Indigo Pearadise, I continued to play with this motif in the smaller size.  A single pear fit comfortably in a 5” x 7” frame and makes a sweet little gift.

Early in my appliqué experience, I found that I could successfully stitch the running rabbit pictured in the design below.  To practice the appliqué stitch, to have handwork to do while visiting with my mother, and to explore the soft colors of Spring, I stitched many running rabbits.  Somewhere along the way, I began hearing the phrase “Baskets and Bunnies” in my mind and a theme emerged.  I found patterns for other bunnies, drew a simple basket with a rickrack handle, and kept sewing.

baskets & bunniesSome of these baskets and bunnies still reside in a basket awaiting their opportunity to shine.  The photo you see here is a quilt top that came about when my minigroup needed a quick project for a donation effort a few years ago.  The timing was Spring, my stitching sisters remembered my collection, and we got busy.  The completed top was quilted by a local longarm expert and we had a sweet little quilt in record time!

That little block with the rickrack handle has reappeared in reds and framed for Christmas gifts, too.  I don’t read many books twice, I don’t watch a lot of reruns on tv, but I do my share of repeating blocks I love.

Sharing the Journey

I read where solitude and reflection are necessary for creativity to bloom.  I know that to be true.  I can work on my art with conversation, podcasts, or a television – if my art is in the stitching phase, or adding details to a drawing.  In other stages, I need alone time.

But the memories are made when the experience is shared.  The conversations, the podcasts, the music my husband is playing while I stitch, all find their ways into the eye of the needle and are easily recalled when the piece is finished.

Sharing the journey sometimes means the expedition reaches its destination.

imageWhen I first conceived  “Fifty-Two Tuesdays” I proposed to make a mini quilt each week for a year.  I planned a written journal to accompany it, thinking that at the end of the year I would have a finished quilt and a book. I shared this vision with my writing group at the outset.  They embraced the idea and as the year progressed, they asked questions about the structure of “the book”.  My creative focus was on the quilt itself and keeping a journal of the details; fabrics included, threads, batting, techniques.

Since some members of that group knew little about quilting, their questions forced me to think more about the writing element.  The take-away message here is to share your journey with people who don’t follow the same path that you do.  They force you to see your destination from a different point of view.

And if you are easily distracted, it helps to share your end goal.  My darling daughter, DJ, who loves all things fiber as I do, loves to quilt vicariously through me.  She sews and knits, but being a working mom, her fiber pursuits are now confined to shorter projects.  In phone conversations, she puzzled fabric choices and “how am I going to resolve….?” dilemmas with me.  And.  Every Tuesday night, she expected to get a text message with a photo of the completed hexagon.  That kept me on schedule.  The lesson here is to engage a taskmaster.  Deadlines are good.

And, finally, share your success.  During the year, I took a few completed hexagons to show to members of my drawing class. Comprised mostly of non stitchers, this group overlooked the bunched up binding and skipped stitches, providing positive feedback.  A reminder to look at the big picture.  “Perfection is the enemy of creativity.”

With help from all these cheerleaders, I accomplished something that I had dreamed but might not have pursued to the end.  And when I look at the finished products; a quilt and a book, I see these people who supported me as well as the events that inspired the designs.