Tag: sandygilreathjournal

Blue and White and Red

Quick, answer this question:  “What is Sandy’s favorite color?” 

That line brought a big chuckle when I recently asked it at a presentation I was giving.

It’s a little obvious when my work is collected together.

 

 

 

But sometimes I like to add a bit of red and white to the blue, as I did in this piece that’s next on my list of “ready to quilt.”  

I’ve mentioned before that I like to work seasonally.  So a small project I made this year as July 4 approached was this one called Stars in Bloom.  The pattern came from Blackbird Designs, and I interpreted it in cotton and wool. 

The rich red flower petals are various reds from my wool stash, the most prominent being from that red cashmere coat I bought a few years ago.  The vines and leaves and blue stars are cotton fabrics.

 

 

I certainly want the quilt label to be unique.  It’s important to include a label identifying the quilt title, the maker, the date.  A simple rectangular piece of cloth containing this information is better than nothing, but since I began quiltmaking, I’ve enjoyed including elements of the quilt’s design in the label.

Ollie Jane’s Flower Garden has a lily similar to the one on the front of the quilt as its label.  Walker’s Pasture has a miniature photo of the front of the quilt on the label.  Mom and Apple Pie’s label features a flag (an appliqué element from the front – and the label you see at the right).

That said, I may have gone a bit overboard in this small piece.  The combination of hearts and stars on the front led me to include a heart and a star.  It took a big star (well, big relevant to the size of the quilt) to contain the title and my name.  Then an even bigger heart was needed to surround the star. Above, the view of the backside.  Do you think the label is visible?

As has become my custom, I embraced the raw edge on this label.  The star was machine stitched to the heart, then the heart was attached using the “glue stitch” I learned from Jude Hill, hand stitching the label through the quilt back and batting.  As time goes on, the raw edges will fray more, adding to the charm of the back.  Or to the tattered look, depending on your perspective.

More about Stars in Bloom:  This piece finishes at 12” x 17”.  The appliqué is a combination of wool and cotton.  The cotton pieces are hand stitched needle-turn appliqué.  Some hearts are made of felted wool and stitched down with a whip stitch, again by hand.  The quilting is free-motion machine stitching (incorporating some hearts in the design) using silk thread on top and cotton thread in the bobbin.

Backsides

 

I like backsides.  When I’m doing street photography, I often focus on images of people from the rear.  Maybe that’s because I think the result is more likely to convey a universal truth than if the face is there; identifying the individual as, well, an individual.

 

With quilts, too, I like the backsides to be interesting compositions.  The expected traditional way to back a quilt is to use yardage of one fabric.  I admit I do that sometimes.  But most often when I do that, I find the result to be boring to me.

I often piece the backs of my quilts, especially the large ones.  The blue “wonky star” above is on the back of GBI Blues.  I included lots of my favorite blue fabrics that hadn’t found a home on the front.  In 70 and Still Wearing Jeans, I used pieces of fabrics collected for Jim’s quilt where the images were too large to include in the stars on the front.

In Seven Black Birds, I incorporated the discarded half-square triangles created for the sashing in the back.  That quilt hangs on a ladder in the den and more often than not, the “back” side is what is turned out to the viewer.  That’s the quilt here on the hayrack and bicycle.

Sometimes I have fabric that I don’t want to cut up into little pieces for use on the front of the quilt, so I use a whole piece of it as the back of something.  That way I can leave the piece as a whole unit. The toile piece in the photo above is on the back of Blue Tumbling Blocks, a small wall hanging described here.   I recently wrote about Linen Baskets in which I did the same thing with a fabulous Jane Sassaman print.

My most recent piecing effort was inspired by a piece of fabric I’ve had in my stash for many years.  I just didn’t want to cut it up.  So a pattern involving books (paper foundation pieced) seemed perfect for the front of a quilt with the “reading” fabric on the back.  So, it’s true.  I designed a quilt with the back planned first.  Here is a photo of the backing fabric folded on top of the pieced top.  More details and photos will follow when the quilting is done.

A Lily for Ruth




Ruth loved gardening.  She loved the feel of the brown earth between her fingers as she planted bulbs and seedlings, anticipating the color that would come later.  She reveled in a pleasant day with white clouds in a blue sky.

At least that’s how I imagine the Ruth whose family had this lily engraved on her headstone.

 

 

 

 

To remember Ruth forever, I made a crayon rubbing of the lily on silk fabric and added dimension and detail with free motion machine stitching.  I added some lace and beads with  hand stitching and layered it all atop an old quilt remnant.  

I hope Ruth would be pleased.

 

 

 

 

 

Jim and I enjoy exploring cemeteries.  Sometimes those walks end up in artwork.  Earlier references to other adventures are here and here and here.

Birds of Amicalola

On a recent visit to a train station and refurbished old store, I took my camera and a quilt.  Birds of Amicalola posed on a bench and in front of the weathered boards of Mildred’s Store.

The quilt is made using the same basket pattern I created for Miss Lily’s Baskets.  In this quilt, I used charm squares of Kaffe fabrics for the appliquéd baskets and Cherrywood hand-dyed blue fabric for the background.  I made a lot of these blocks (I still have quite a few left over for some yet unknown project) before deciding how to assemble them.

I had some bright fabric on hand that had birds flying all about vines and leaves.  Those birds said, “we want to fly amongst those baskets.”  And the leaves seemed perfect for the wreaths in the baskets of the three focus blocks, so I fussy cut the leaves and birds and attached those elements with the invisible basting stitch I had learned from Jude Hill.  When I quilted, I stitched those pieces down with free motion stitching before moving to the background quilting.

The quilt measures  51 ” x   58″ .  The background quilting was done using silk thread (100-weight) on top, two-ply cotton (50 weight) in the bobbin.  The vine in the border is quilted with 30-weight polyester thread.

 

 

Photos of this quilt in progress were included in the post here.  Oh, and we were on a trip to Amicalola Falls State Park when I added the birds and leaves to the basket blocks.  That’s the source of the title.

 

 

And here is a closeup of the vine stitched on the border.

You can click on any image to enlarge and see details.

An update to include a photo of the entire quilt:

Here it is hanging in our local guild’s show.  The ribbon is for Best Machine Quilting on a Home Machine.

Fern Fronds and Fibonacci


A historic covered bridge seemed the perfect backdrop for a quilt photo shoot.  On a beautiful spring day Jim and I loaded the car with a couple of cameras, a couple of tripods, and a couple of quilts.

This stop was at the Red Oak Covered Bridge near Woodbury (details and a map can be found here: http://www.exploregeorgia.org/listing/476-big-red-oak-covered-bridge).  The quilt you see is my Fern Fronds and Fibonacci quilt, made in 2007.  It finished at   56” x 61” and features a sunprinted image of an Australian Tree Fern (Cyathea cooperi ) which was growing in our backyard garden at the time.

Some of my first explorations into putting images onto cloth were through the process of sunprinting.  This predates the printing, painting, and dyeing I’ve been exploring more recently.

The life size image of the fern frond measures 29“ x 34“.  The turquoise and white blueprinted image needed some color to give the quilt a more spectacular “wow” factor, so I chose to include a variety of brightly colored fabrics in the border.

Many batiks were used, along with some fossil fern prints.  I still love that line of fabric, and continue to use them a lot.  They are soft and loosely woven, but to me this makes them turn easily for appliqué.

To create a unique border, I referred to the Fibonacci sequence – the infinite mathematical sequence 1,1, 2 ,3, 5, 8, 13, 21, 34… .  Each term of the sequence (after the first two) is found by adding the preceeding two terms.  For those of you who want a math review:   t1 = 1, t2 = 1, tn+1 = tn + tn-1.  And the answer to the inevitable test question, “is it arithmetic, geometric, or neither?” can be found at the end of the post.

The Fibonacci sequence is found in the growth pattern and leaf structure of many plants, including ferns. Google will help you with more intense investigation if you want to pursue it.

To interpret this into my quilt, I made colored rectangles all 1” tall, but whose widths were 1”, 1”, 2”, 3”, 5”, etc.  To avoid single loooong bands of color, I did not use a length greater than the 34” (limiting myself by the dimension of the plant image itself), I just repeated that sequence in a spiral until I was satisfied with the look.


The woven ribbon portion of the border was a design taken from one of Sally Collins’ books.

I was very inexperienced with machine quilting at the time and didn’t feel confident stopping and starting at the edge of the design.  So I quilted the grid in the sunprinted space by hand.  Make that read BY HAND.  That pretreated fabric is more closely woven than your normal quilting cotton making this a less than pleasant experience.  I used Dream Cotton batting which is nice and thin and generally easy to quilt through.  But now I know that wool would be sweeter to needle.  I don’t think wool batting was widely available at that time.

Then I dared to freemotion quilt fern fronds in the border space.  I traced a section of the fern, transferred it to the fabric using a lightbox, then stitched with an invisible polyester thread.

As I write this, I am amazed at how much I’ve learned since that experience.  But even though it’s full of what many would see as mistakes; I love this quilt.  I still love the fern.  I love the unique opportunity to combine nature and mathematics in fabric, and I love that I’m still learning things about quilting.

At the time I printed this image, I made many more blueprint images of plants including multiples of this plant.  I love planning ways to include these fabric images in new projects.

Older posts with details of other quilts with sunprinted images are these:

https://sandygilreath.com/gbi-blues/,

https://sandygilreath.com/whats-in-a-name/ (this one had a sunprinted label)

https://sandygilreath.com/annie-maes-lace/

Answer to the math question:  neither.  Arithmetic sequences are generated by adding a fixed constant to one term to get to the next; geometric, by multiplying.  Neither is the case in this sequence.

The black & white photo with color accent is Jim’s darkroom magic.  The other photos are mine.  If you think the fern is blurry, it’s not the camera.  It’s the motion of the fern in the wind during the 15-minute sun exposure.

Quilt Show Time

One of the delights in my life is the family that has come to me in quilting.  The work entailed in getting ready for our quilt show every two years is rewarded by the opportunity to spend three days with my closest friends.  As with any family, reunions are treasured times together.

Sharing our quilts with non-quilters is important, too.  We hope to educate people about the joys of quiltmaking, the processes involved in that endeavor, and the love that goes into every stitch. We always meet fellow quilt makers and want-to-be quilt makers and I never know which is more fun – talking with new friends who are already addicted, or sharing the fun with people who are just getting interested.

In between meeting and talking with new quilt friends, there is time to visit with fellow guild members.  For me, one of the biggest pleasures at the quilt show is examining each others’ quilts and sharing details of the techniques involved.  Just visiting.  As I’ve heard Susie say before, “it’s OUR three-day party.”  Though we see each other at meetings once a month, that’s only a couple of hours, and we are sometimes busy with, well, business.

But at the quilt show, the work has been done ahead of time.  We spend one day hanging the quilts and setting up, then the two days of “the show” to admire our collective work and visit.  On the evening after the quilts are hung, our spouses join us to see the display as we vote for our favorites.

The idea of reunion is continued here.  Jim and Ted reconnected at our guild’s show in 2012, having not seen each other since Army days 40 years prior.  Ted’s wife is a quilter, too, and seeing an announcement on Facebook about our show brought the guys together!  Such fun we always have visiting with them!

The photos here are from past shows. Like the photos here, if you visit with us, you will see quilts of all colors and sizes, using varying techniques and fabrics.  I hear that the total on display next week is 147 quilts.

 

This year, the show is March 9 and 10 at the Methodist Childrens’ Home in Macon.  This is a new location for us, and oh, so appropriate, since every resident at that facility is given a handmade quilt as they are settling in.  This tradition is nearly forty years old!  Some of those quilts have been made by members of my guild and by members of other quilt guilds in Georgia.  Stories of those quilts and the impact on the lives of the recipients can be found in a book entitled Patches of the Quilt.

If you live nearby, I hope you will join us.  If you aren’t close enough to come to our guild’s show, I’ll bet there’s one near you.  Spring is a popular time to schedule a quilt show!

The basket quilt you see at the top, and the closeup photo featured is by Alice Smith.

Earlier posts about quilt shows are here: https://sandygilreath.com/the-ribbon-maker/ and here: https://sandygilreath.com/my-new-friend-janet/ and here: https://sandygilreath.com/deadlines-are-good/.

Love Birds


What better way to welcome Valentine’s Day than stitching a heart?

This was the lucky shot I captured on our recent trek to see the trumpeter swans visiting here from northern climes.  When Jim tiptoed to the truck for a shorter lens, I caught them swimming and their long necks forming a heart, skewed perhaps; but I saw a heart!  I like “wonky” in quilts anyway, so the heart they formed was perfect!

I printed the photo on silk fabric, layered it on wool and cotton batting.  I quilted the entire photo with silk thread, then added hand stitching with a heavier red thread when done.  Beads were hand stitched as eyes.

Some unknown person who tatted the edging on the placemat contributed to the piece as I used that as a mat for the photo.  A bit of red fabric created an inner border.

All is stitched to a black canvas ready to hang on the wall.  For Valentine’s Day, or any time one wants to think of love.  Or visiting swans.

The photo image measures 7” x 10”.  The finished canvas is 16” x 20”.  Click on any image to enlarge it.

More details of the swans’ visit is detailed here, if you missed that one.

Cemetery Fog

The atmospheric conditions yesterday morning were not what most people think of as a perfect day for photography.  But since our destination was the cemetery, the dense fog was perfect!

We headed to Rose Hill Cemetery with a few devoted photography friends and I came home with lots of images for angelic quilts.  An earlier post about my first Galadrielle quilt is here and includes a bit of history of this magical place.

Yesterday I captured images of some more angels that I think need to be on fabric.

Little Martha, made famous by the Allman Brothers, is especially pretty in the fog, I think.

Other angels spoke to me, too.  This one sits atop the tomb of Parthenia Raines.

And here is a different interpretation of Galadrielle in fabric.  This time, her image is stitched to a vintage placemat with elaborate embroidery.  I added many pearl beads by hand, securing her to a remnant of an old quilt dipped in the indigo vat.

 

A reclaimed doily serves as the label on the back.

Swan Songs

“Have we told you about the time a swan came to our front door?”

That’s a question we’ve asked birding friends recently.

There’s been a lot of chatter about rare birds, trumpeter swans, in our area.  These birds normally live in western Canada and Alaska.  They don’t like the South.  In fact, the pair now visiting Piedmont National Wildlife Refuge near Juliette, GA, are believed to be the first ones to ever visit GA.

Our Minnesota friends recently posted photos of a huge flock of swans near them.  I was enthralled and obtained permission to use their images in art quilts, thinking I’d not be likely to see any of these birds.   Then, we heard there were some swans near us!  (More of Mary Ellen’s Minnesota stories are here.) This photo by Bruce Lundstrom.

On Saturday, Jim and I drove to Piedmont and were fortunate to find the pair close to shore at a pond.  We quietly approached the group watching, visited with old friends and made a couple of new friends.  Then everyone else left and we slowly walked out on the deck and got even closer to the beauties.

We had heard that the two stayed on the far side of another pond, so Jim took his big lens.  The birds were so close to us that he couldn’t get the whole bird in a shot.  I had carried my camera thinking, “this is a waste, I can’t see them well enough to photograph.”  Wrong.  I could, I did.  Jim went back to the truck (walking ever so slowly and quietly) to get a smaller lens.

I was thrilled to capture a few images, but I was so mesmerized by the glassy surface of the water, by the reflections of the trees and the birds, and by what I saw as parallel behavior of the swans, that I would forget to put down the binoculars and pick up the camera.

But snap the shutter, we did.  Jim got great detailed shots of the birds, I got some surprisingly nice images, too.  I love the two birds with the loose feather floating on the water!

 

 

I was thrilled when I realized I had captured a heart in one shot!

 

 

Their balancing acts as they preen, stretching that long graceful neck into Mobieus-like positions, that one big black foot in the air, the thrill of them when they unfurl those huge, huge wings – all formed   indelible moments in my mind.

I knew standing on the dock on Saturday that   this elegant swan would be the subject of my next drawing in Mark Ballard’s class..  From the moment I snapped the shutter, I said, “that’s the pose.”

Oh, and the earlier encounter with a swan was on Mother’s Day, 2004.   Our Welsh Corgi, Dixie, greeted a mute swan at our front door.  We lived a couple of blocks from the nearest lake, so our photos of her are not surrounded by reflections or ripples of water.  But the visit was memorable.

That swan twisted her long neck into crazy positions, too.

 

Next project:  stitching some swans!

70 and Still Wearing Jeans


The world’s greatest husband had a birthday.  To celebrate this milestone, I completed a project for him that I had started several years ago.  Yes, it was a project in progress for a while.

I had collected some novelty fabrics and made 9” Ohio Star blocks.  The working title for this project was Things Jim Likes.  Construction stalled when there were some categories that had to be included but were difficult to find.  Fabric with cameras, birds, maps, were some of the most elusive.  I put everything in a box and put it on a shelf until I could collect more fabrics.  By everything, I mean a diagram of the quilt I had designed in EQ7, notes to myself about the possible sashing and setting triangle fabrics, and a list of themes I had and wanted to add.

When I would find fabrics that were appropriate, I added them to the box, and time marched on.

 

 

 

 

As this birthday approached, I decided that this would be his “three score and ten” gift .  Yes, he walked in the sewing room several times while the blocks were on the design wall.  And, no, he didn’t realize what was there.  I worked as quickly as I could with them on the wall, and I lied a bit (ok, a lot) about what I was doing upstairs in the weeks before Christmas.  (His birthday is December 26 – the design wall photo was taken Sept 23.)

Once assembled, I knew I couldn’t hide it long enough to quilt it myself.  And, it’s big and would take me a long time.  So Dewey Godwin became my partner in secrecy and did the quilting in record time.  Knowing the theme and seeing the trains, Dewey incorporated a railroad track into the border.  Perfect!

While I was working on this, Jim was playing Amanda by Waylon Jennings with a line  “finally made 40 and still wearing jeans.”  There’s where the title came from.  Not 40, but still wearing jeans.

 

 

My partner, my assistant, my musician, my photographer, my soulmate now has a new quilt of his own.  And, just in time for the coldest weather in a very long time.  It works at nap time in front of the tv.

 

 

Some of the things represented are cameras, lighthouses, scientific instruments, football, windmills, Christmas lights, birds, travel, the great outdoors, banjos, guitars, railroads, geology, the US Army, and even  sharks (those represent the years he taught Oceanography and dissected sharks in his lab, gaining notoriety for the smelliest classroom at school).

The patchwork back is made of fabrics whose motifs wouldn’t fit in the star design, but fit the theme.

 

 

 

 

For email subscribers, here is a photo of the whole quilt.  It measures 65″ x 80″ .  For more detail, go to the website and click on any photo to enlarge.