Dyeing to Make Something Brown

Brown is a new favorite color of mine.  Blue has always been at the top of the list for me, but in recent years, I’ve come to love brown.  Maybe there is a reason.

Brown vignetteThis photo is one I made a few years ago to use on the invitations to my family reunion.  Pictured are a platter and pitcher from the Tea Leaf dinnerware which was my grandmother’s pattern.  On the evening of Ollie Jane’s wedding in 1890, her mother hosted a supper for family.  She served the meal on those dishes and gave them as a gift to the bride and groom. These two pieces in the photo were later purchases, but I do have one plate left that was on Ollie Jane’s table that night. The large pitcher was one she used and I still use it, too.

Also in the photo is a piece of brown and white checked fabric.  I’ve been accused of “adding a little brown check” when a quilt needs a spark of something different (as in GBI Blues), or when I don’t know what else to use (as in Seven Black Birds). [Photos of those two quilts are in the gallery.] I included that fabric in this photo because it looks like the apron I remember Ollie Jane wearing a lot during the last years of her life.

When I printed the photo of Bunk Bates for the Flag Bearer quilt I wrote about yesterday, I printed the above photo on linen as well.  In thinking about a composition using that photograph, I decided to pour some dye in a bucket and dip some things.  Here you see them drying.brown fabric drying

Stay tuned for the final result, but suffice it to say, I’m having a lot of fun!  I ordered some indigo dye today; I can’t wait to play with that.  Oh, I like blue and brown together, too.

You can read more about Ollie Jane’s wedding and her quilts here.  And more about her influence on my quiltmaking here.

Skinny-Dipping Quilts

mimi's boys skinny dippingChildren are so observant.  They see details that we adults pass right by.

Some of the first quilts I made were for grandsons.  There are now three teenagers, but at the time of the quilt you see pictured at the end of this post, there were two toddlers.  I saw an episode of Simply Quilts in which Judy Martin demonstrated the large block which dominates this quilt.  I had bought some Tom Sawyer themed fabric and companion pieces, and I went to work.

I made the largest block, (24” square, I believe) using two different scenes from the toile print in the center.  One was of the boys fishing, the other of them painting the fence.  I made smaller blocks using the fabrics I had in the collection and coordinates from my stash.  Now that I think about it, I was using my version of improvisational piecing from this beginning.  I laid blocks on my design table (otherwise used for eating dinner; the design wall came much later in my quilting life), measured spaces, and inserted filler pieces or blocks.

Now I sometimes lay out such a design on grid paper, calculating dimensions using the squares, but in 2002, I wasn’t so deliberate.  I gave the two quilts titles based on the toile, “Mimi’s Boys Fishing” and “Mimi’s Boys Working” and presented them as Christmas gifts.

Several years later, one of the grandsons attended a quilt show with me. I’m not affirming or denying if bribery was involved.  I saw a quilt with familiar fabric, and exclaimed, “look, this quilt has fabric like yours.”  I was quickly corrected, “Well, not exactly.  This boy has pants on.”

“Yours aren’t wearing pants?”

“Not the ones going swimming.”

His mother was as surprised as I was.  She hadn’t noticed either.

Back at their house, we all examined the quilt to see that, yes, indeed, the fabric I bought prior to 2002 had skinny-dippers.  I don’t know the manufacturer’s storyline, but I’m guessing someone was offended, and subsequent yardage was more modest.

Yes, I have scraps of the risqué print, even a bit of yardage.  Hmmm, I think there’s a story quilt idea.

Mimi's boys quiltQuilt details:  Finished measurements: 36″ x 50″, batting was probably 80% cotton, 20% polyester, quilting was straight lines with walking foot.

Geraniums


I planted some geraniums today.  That’s a sign that I think it’s springtime!

I love geraniums.  Especially red geraniums.  They are so perky and straightforward, “I AM A BIG SHOWY FLOWER.  LOOK AT ME!”.

Even my brown thumbs can keep them producing blooms through the summer.

Maybe because Aunt Nellie always had them, I find their presence comforting in the yard.  I put them in terra cotta pots because she said “their roots like to breathe.”

So I found myself thinking of this little quit in the photo.  I made it for our guild’s challenge in 2011.  The challenge that year was to make a “two-block quilt”.  Further details in the rules said you must include two different pieced blocks.

Since I like to try to find an unexpected way to follow the rules, I pieced several sawtooth star blocks; not all the same size, from red and white fabrics in the top section of this quilt.  For the lower section, I pieced square-in-a-square blocks using some of my precious indigo collection.  These fabrics were printed in Africa using copper plates that are several hundred years old.  I bought them from a vendor in Paducah one year and treasure them in a special basket.  But I thought a geranium themed quilt was worthy of putting these treasures under the knife.

Atop the pieced background, I appliquéd the flower pot, stems, leaves, and geraniums using felted wool.  There is minimal quilting on this piece, a simple vine and leaf design that is one of my favorite hand-guided, free-motion quilting motifs.  It finished at 14” x 20”.

I confess that this was likely done at the last minute.  No label is attached as yet and the imaginative title of “Geraniums” is another clue that the deadline was nigh.  The geranium in the pot was inspired by one of Maggie Bonanomi’s designs,  I added a big satin bow to give dimension.

The geraniums in the watering can are a colored pencil Version 3drawing I made last week from a photo taken in our backyard.  I love old, well-worn watering cans almost as much as I love geraniums.  Anything in blue is beautiful  So, the three working together make my soul sing.

Treasures Under the Knife

treasures cut upI’m upstairs now in my sewing haven cutting up some coveted fabric collections and sewing them back together.  I boast in Fifty-Two Tuesdays that I’m all about using the good stuff.  But sometimes I think I should experiment with less desirable fabric, “in case I mess it up.”  How’s that for a negative self image?

I watched Katie Fowler (www.katiefowler.net) on the The Quilt Show (www.thequiltshow.com) yesterday.  I, like many audience members, was astounded as she cut up her beautiful quilt.  “Dramatic” is not strong enough to describe that episode.

Katie has mastered many quiltmaking techniques and is a creativity coach, helping others to “find their voice”.  Subsequent to the show (#1807) with Alex and Ricky, she revisited them to share the finished product of her cut up quilt in its new life.  Today I watched a skype session between Alex and Katie.  They discussed our reluctance to “untie the bow” on coveted stacks of fabric.

Inspired, yes I am.  Their conversation has me pressing and cutting and resewing some beautiful woven art.  Kaffe Fassett prints, shot cottons, and stripes have made their way off the shelf and are headed into a familiar pattern with a twist.  What fun!

I realize that my quilts I love the most are those in which I dared to explore the unknown with treasured fabrics.  GBI Blues, Indigo Pearadise, and Miss Lily’s Baskets are three examples.  All are in the gallery.

A personal design note:  Though these fabrics “go together” in that they are parts of distinct fabric groups, they are not from one collection.  They span several releases of Kaffe’s over the years.  And I pulled some other fabrics, too (non-Kaffe stripes, something that “reads” solid, other big bold prints).  When I do use a designer’s collection, I usually spice it up with some outliers.  Joanna Figueroa (www.figtreequilts.com) advises 85% collection/15% stash.  I don’t analyze, but I’d say that’s about right.